Boy Erased etches sketch of family versus faith into film history
Movie Review: Boy Erased
Director-actor Joel Edgerton brings Garrard Conley’s memoir of his time in conversion-therapy to the big screen with a cast of powerful voices. Veterans, and fellow Aussies, Russell Crowe and Nicole Kidman form the harmony and chorus, while Lucas Hedges performs a heartbreaking solo as the son of a Baptist minister struggling with sexual identity. The combination of all three is close to a religious experience, writes critic Katherine Monk.
Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
Bohemian Rhapsody misses Mercury’s sexy essence
Movie Review: Bohemian Rhapsody
Rami Malek does an awfully good job of manufacturing an English accent and a sense of sweet mischief, but for all his talent and ambition, he lacks the physical magnetism that defined Freddie Mercury and Queen’s unique place in the arena rock pantheon.
Free Solo transcends fear to achieve perfection
Movie review: Free Solo
Alex Honnold’s bid to climb Yosemite’s El Capitan without ropes or assistance gives filmmakers Jimmy Chin and Chai Vasarhelyi a chance to explore existential fears through character, and one man’s ability to focus on the moment.
Hunter Killer: A canful of manliness
Movie Review: Hunter Killer
Gerard Butler’s ode to Cold War formula serves up sub tropes and B-movie baloney for those seeking junk and hunk comfort food.
Anthropocene: The Human Epoch-alypse
Movie review - Anthropocene: The Human Epoch
Baichwal, Burtynsky and de Pencier are back with another gorgeously lensed documentary that almost comes too close to redeeming human ugliness through photographic acts of beauty.
Sharkwater Extinction: A matter of death, and life, for the Stewarts
Movies: Sharkwater Extinction
Shattered by their son Rob’s death in a diving accident, Sandy and Brian Stewart found inspiration in his message and turned pain into positive action by completing the film he died trying to make.
By Katherine Monk
VANCOUVER — “There was no way this movie was not going to be made.” The very statement is an act of defiant optimism in a world where the majority of endeavours fail to even reach production, let alone completion. For Brian and Sandy Stewart, however, defiant optimism was the very essence of their son’s message, which is why they dedicated the last 20 months of their heartbroken lives bringing Sharkwater Extinction to fruition.
The movie isn’t just a tribute to their late son, Rob, 37, who died in a diving accident off the Florida Keys in January 2017. “It’s the continuation of his mission,” says Brian Stewart, sitting with his wife Sandy on the eve of Sharkwater Extinction’s western premiere at the Vancouver ...
A Star is Born is a gassy giant, indeed
Movie review: A Star is Born
Bradley Cooper writes, directs and stars in this latest revamp of a seminal Hollywood yarn that proves the nexus of progressive America remains completely conservative when it comes to its own story. On the bright side, Cooper and Lady Gaga use their first-timer adrenaline to fuel this bumpy rocket ride, creating great spectacle -- if not deep drama.