The pain of Glass
Movie review: Glass
M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.
How Bao’s house of women brought new dimensions to Pixar animation
Interview - Bao Filmmakers Domee Shi and Becky Nieman-Cobb
The Oscar nominations come out January 22 and Canadian director Domee Shi is already on the shortlist with Bao. She can’t talk about the Academy Awards, but the Toronto-raised animator says just making the short at Pixar feels like a victory.
Widows buries thriller formula and finds female power
Movie Review - Widows
Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo, Widows could still blow things wide open.
Top Ten Movies of 2018
Movies: Top Ten Movies 2018
Black Panther changed Hollywood for the better to earn top spot on 2018’s list, but storytellers sought to pry our weary eyes open and see past preconceptions through a broad range of protagonists that transcended expectation.
Benson Shum brings joy to Disney destroyer
Interview: Benson Shum
He grew up sketching trees in Stanley Park, now the Vancouver animator is breathing life into the pixels behind Ralph Breaks the Internet, the latest adventure for two arcade characters learning to console each other.
Boy Erased etches sketch of family versus faith into film history
Movie Review: Boy Erased
Director-actor Joel Edgerton brings Garrard Conley’s memoir of his time in conversion-therapy to the big screen with a cast of powerful voices. Veterans, and fellow Aussies, Russell Crowe and Nicole Kidman form the harmony and chorus, while Lucas Hedges performs a heartbreaking solo as the son of a Baptist minister struggling with sexual identity. The combination of all three is close to a religious experience, writes critic Katherine Monk.
Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
Bohemian Rhapsody misses Mercury’s sexy essence
Movie Review: Bohemian Rhapsody
Rami Malek does an awfully good job of manufacturing an English accent and a sense of sweet mischief, but for all his talent and ambition, he lacks the physical magnetism that defined Freddie Mercury and Queen’s unique place in the arena rock pantheon.
Free Solo transcends fear to achieve perfection
Movie review: Free Solo
Alex Honnold’s bid to climb Yosemite’s El Capitan without ropes or assistance gives filmmakers Jimmy Chin and Chai Vasarhelyi a chance to explore existential fears through character, and one man’s ability to focus on the moment.