Movie review: The Walk is no coup
Robert Zemeckis's computer-generated spectacle about wire-walker Philippe Petit's famous promenade between the Twin Towers lacks any sense of tension because everything about it feels fake
Movie review: The Green Inferno
Eli Roth's new movie screams "Eat me"
There's more to horror than dismemberment, cannibalism and gory plane crashes, but the director of the Hostel series remains oblivious to the emotional needs of horror, and the whole concept of acting
Movie review: The Intern doesn’t pay off
In Nancy Meyer's new film, Robert De Niro is a 70-year-old intern in the on-line company run by Anne Hathaway, where selling clothing is secondary to handing out familiar advice
Listen to Me Marlon filmmakers found heart of darkness
Brando narrates his own story in new documentary
Surviving a broken home with alcoholic parents, Marlon Brando found a way to heal using a tape recorder, isolation and a professional obsession with truth that made every performance vibrate with all the beauty, and ugliness, of the human condition
By Katherine Monk
PARK CITY, UT – When Marlon Brando was still alive, his face was scanned using what was, at the time, cutting-edge digital technology. Pulses of laser light crisscrossed his famous profile, swallowing each feature into an algorithm, resulting in an animated, glowing green grid: a Marlon matrix.
The footage lingered for years. Then the producers behind Restrepo, Waiting for Sugar Man and James Marsh’s Project Nim got a call from Brando’s estate.
“They approached us to do something and we said we’d be delighted, but only if we can make it in a way that is entirely original,” says John Battsek, one of the founders of London-based Passion Pictures – ...
#TIFF15 – LEGEND measures Hardy’s range
Tom Hardy sinks his incisors into the dual role of duelling siblings Reggie and Ronnie Kray in Brian Helgeland's stylish gangster drama that takes on classical and classist themes, then pummels them to pulp
Directed by Brian Helgeland. Starring: Tom Hardy, Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Tara Fitzgerald, Taron Egerton.
Thirty years ago, Tom Cruise made a fantasy movie with Tim Curry, a herd of unicorns and director Ridley Scott called Legend. This is not that movie. If there’s any connection to be made, Brian Helgeland’s LEGEND shares DNA with The Krays, Peter Medak’s 1990 movie about Reggie and Ronnie Kray, twin brothers who ruled the London underworld in the 1960s.
Violent, cocky, but entirely self-created criminal kingpins, Reggie and Ronnie Kray became guttersnipe folk heroes: Kids from the wrong side of London who cracked the upper crust with fists and a shiv.
Their story really is ...
Is Tom Hardy the best actor in the world?
The star of the new gangster drama Legend is a versatile actor whose roles range from the indomitable Mad Max the villainous Bane. Is there nothing he can't do?
By Jay Stone
TORONTO — Tom Hardy might be the best actor of his generation.
He can do anything. He was the scary buff gangster in Bronson and then he was the scary but doomed hit man Ricki Tarr in Tinker, Tailor, Soldier Spy. Next thing you know, he’s Bane, the gigantic muscled villain in The Dark Knight Rises, growling through a leather mask. Hard to believe it was the same guy in Locke, a solo film about a man who’s responsible for the concrete in a British construction project, called away because a woman he once slept with is about to give birth to their child. Now he’s Bob, the compliant bartender in the gangster drama The Drop who turns out to be a guy you don’t want to screw around with. Then he’s the indomitable (but vulnerable!) hero in the post-apocalyptic desert in Mad Max: Fury ...