Art Bergmann plays The Apostate
Music: Interview with Art Bergmann
The former Vancouver punk icon says his joints are sore, his back aches and his neck breaks, but the release of his first new LP in a decade proves Art Bergmann is more than a survivor, he's close to folk hero
By Katherine Monk
For the first few minutes, we talk about sciatica, arthritis, spinal surgery and who’s dead. That's just what happens when you're over 50 and you haven't spoken to someone in 20 years. Even if that someone is Art Bergmann – the iconic face of Canadian punk rock turned apostate.
Make that “The Apostate,” because after an extended recording hiatus that witnessed the release of just one EP and a lost recordings collection over the course of a decade, Bergmann has a new LP, The Apostate, what he calls his “response to living in the west."
Bouncing from Vancouver to a small parcel of Albertan landscape situated near “the beige town of Airdrie,” Bergmann started a new life with his wife Sherri a decade ...
Mother’s Day: Greeting Cardboard
Movie review: Mother’s Day
Jennifer Aniston, Julia Roberts and Kate Hudson bend over backward to accommodate cliche in this yoga class for yummy mummies
Green Room: a zombie movie sans zombies
Movie review: Green Room
Jeremy Saulnier's follow-up to Blue Ruin reimagines zombie movie cliche as a real-life face-off between a struggling punk band and a group of calculating white supremacists laying siege to their dressing room
Nadia Litz and Jai West dig deep in The People Garden
People: Interview - Nadia Litz and Jai West on The People Garden
The former actor and first-time feature director says she wanted to create a female character in her 20s who could ride a wave of emotional ambiguity to escape the warm, fuzzy, vulnerable and typically banal female box
By Katherine Monk
VANCOUVER, BC – Ambiguity isn’t a topic that generally lends itself to passion, yet a recent sit-down with director-writer Nadia Litz and actor Jai West reveals a mental desire to resist closure that’s near obsessive.
“Oh man. Ambiguity is the whole thing…” says Litz. “It’s everything. It’s the theme of the film: that there is no black and white conclusion to anything. It’s what relationships are. It’s what life is. It’s what death is.”
When Litz talks about “the whole thing,” she’s talking about The People Garden, her debut feature starring West, Pamela Anderson and Dree Hemingway (daughter of Mariel Hemingway, niece of the late Margaux). ...
A Hologram for the King an empty projection
Movie review: A Hologram for the King
Tom Hanks's latest feels like a collection of the beloved actor's greatest hits all rolled into one big lump of fish-out-of-water comedy that flops around on deck for the duration
Hello, My Name is Doris – the Exploress
Movie Review: Hello, My Name is Doris
Sally Field finds fertile terrain as an eccentric hoarder in Hello, My Name is Doris, a feel-good romantic comedy aimed at menopausal women that's appealing to all
New look suits The Jungle Book
Movie Review: The Jungle Book
Director Jon Favreau uses state of the art digital technology to animate Rudyard Kipling's story of an orphan boy raised by wolves, and in the process, exhumes the dark heart of a child's version of Apocalypse Now
Keeping it All in The Clan
Movie review: El Clan
The true story of Argentina's infamous Puccio family hits the big screen with a bloodsplatter and a killer soundtrack, making for a seductively distracting descent into Hell