Top Ten 2015: Women land box-office blows for a surprise win
Movies: Top Ten 2015
Women stormed the box-office with raw power and profound emotional insight, overcoming Hollywood's institutional misogyny
By Katherine Monk
Let’s hear it for the girls. Though the year started slowly with just a handful of bright moments on what seemed to be a rather bleak horizon — from a pruny soak in a Hot Tub Time Machine and a disappointing date with The Avengers — 2015 ended up celebrating the fair sex in surprise fashion, starting with Mad Max’s furious females lead by Charlize Theron. The movie was kicked from the ticket wicket by Elizabeth Banks’s Pitch Perfect chorus, but there was still plenty of room for revision as Melissa McCarthy took on the spy genre and Amy Poehler and Phyllis Smith deconstructed the adolescent female psyche in Inside Out. James Bond lost a bit of box-office mojo with Spectre – pulling in $196 million domestically, compared to Skyfall’s $304 million – but while Hollywood expressed concern over a grim ...
Murder, He Wrote
Movie review: The Hateful Eight
Quentin Tarantino creates a self-conscious cartoon that puts a bullet through the brain of western myth
Star Wars goes back to the future
Movie review: Star Wars - The Force Awakens
The long-awaited new movie reclaims the universe of Star Wars, makes it fresh again, and still finds room for old favorites like Harrison Ford and Carrie Fisher
Pointless and broken
Movie review: Point Break
The remake of Kathryn Bigelow's cult classic about two dudes on opposite sides of the law is a murky bore
The Big Short goes long on greed
Movie review: The Big Short
Capitalizing on his comedy savvy talent, director-writer Adam McKay turns Wall Street's crooked ways into a fragmented farce that makes us laugh at our own funeral
Mississippi Grind percolates
Movie review: Mississippi Grind
The team behind Half Nelson and Sugar return with a film about chronic gambling that isn't as depressing as it probably should be, thanks to a pair of pocket kings in Ryan Reynolds and Ben Mendelsohn
A dog movie unleashes emotion in Marrakech
Festivals: Festival International Du Film De Marrakech
Liberated from the Oscar bait vying for her attention in New York, veteran film critic Thelma Adams lets go in the exotic darkness of a Moroccan movie palace
By Thelma Adams
MARRAKECH, MOROCCO -- "Each person dies as best they can," says Julian (Ricardo Darin) in the Spanish-language dramedy Truman, screened out of competition at the Festival International Du Film De Marrakech. Julian is a self-involved and straight-shooting stage actor riddled with cancer and reluctant to go another round with chemo. His best friend Tomas (Javier Camara) travels to Madrid from Montreal for a reluctant reunion. It will likely be their last.
In this Spanish-Argentinian co-production there will be tears and tenderness, shared memories and wine bottles, conflicts and revelations – and steamy sex. In Spanish director Cesc Gay's seventh film, there is also a very large, soulful hound named Truman that Julian is seeking to surrender to a new ...
Theeb: A Middle Eastern Western
Movie review: Theeb
Jordan's official nomination for the best foreign film Oscar is a tightly wound adventure story about a Bedouin boy learning how to be a man on the eve of the First World War
Wim Wenders finds warmth in Canadian winter
People: Wim Wenders
The German filmmaker says he used stereoscopic 3D technology in Every Thing Will Be Fine, his latest art film about grief and loss, in a bid to bring depth to Quebec's unique landscape
By Katherine Monk
TORONTO – His voice sounds like something straight out of a fairy tale: a soft German accent bending over vowels with a delicate arc and a deep warm tone that seems to echo through hand-milled timber.
Even his name, Wim Wenders, feels like a plucky character from a Grimm plot, so the fact that this German auteur has transformed the stark hues and blinding skies of the Canadian landscape into a cozy microcosm feels strangely natural.
Every Thing Will Be Fine is Wenders’s 46th film, but it marks a series of firsts: It’s his first film in Canada, his first shoot in winter, and the first time any auteur has used 3D technology in the heady pursuit of an art film.
Wenders always thought the technology was used poorly – a point he proved in ...