Bruce McDonald gives Stephen McHattie a double-scoop of Dreamland
Movies: Interview with Canadian director Bruce McDonald
McDonald’s latest film features a drug-addicted trumpet player and a jaundiced hitman on a collision course in the middle of Europe. “It’s about the journeyman and the artist,” says the director. He might as well have been talking about McHattie himself -- the Canadian character actor who sits at the heart of this “one-man two-hander.”
First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Ready or Not exploits the secret fear of in-laws
Movie Review: Ready or Not
A young bride agrees to play a family game to prove her love and commitment, but traditional belief systems are the central villain in this entertaining satire that articulates a millennial disdain for decadence and inherited privilege.
Keith Behrman makes a Giant Little leap into the moment
Interview/ Canadian Film: Keith Behrman on Giant Little Ones
The Vancouver director seemed to vanish from the face of Canadian film after his feature debut. But 16 years later, Keith Behrman is back with Giant Little Ones, a coming-of-age story that gently pulls back the curtain on the delicate question of sexual identity.
How Bao’s house of women brought new dimensions to Pixar animation
Interview - Bao Filmmakers Domee Shi and Becky Nieman-Cobb
The Oscar nominations come out January 22 and Canadian director Domee Shi is already on the shortlist with Bao. She can’t talk about the Academy Awards, but the Toronto-raised animator says just making the short at Pixar feels like a victory.
Anthropocene: The Human Epoch-alypse
Movie review - Anthropocene: The Human Epoch
Baichwal, Burtynsky and de Pencier are back with another gorgeously lensed documentary that almost comes too close to redeeming human ugliness through photographic acts of beauty.