Movie review: A reason to cry U.N.C.L.E.
The film version of the 1960s TV show stars a couple of bland leading men involved in a second-rate espionage thriller notable mostly for its cool costumes, writes Jay Stone
Movie review: Fantastic Four? More like a one
Movie review: Fantastic Four
The 'reboot' of the superhero story has cheesy special effects, bland characters and a lot of murky motivations. The result is an adventure that's far from fantastic.
THE EX-PRESS, August 10, 2015
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The Gift you weren’t expecting
Aussie actor Joel Edgerton creates a kooky mixture of thoughtful psychodrama and cheesy horror in this interesting examination of the ghosts that haunt us from high school
Canadian Must-Sees: Cinema Verité Defines a Real Moment
Late, and undeniably great, documentary director Peter Wintonick not only chronicled the rise of a new cinematic day in non-fiction film, he traced its roots all the way back to the New World and the camera work of Michel Brault
CINEMA VERITE: DEFINING THE MOMENT
4/5
Directed by: Peter Wintonick
Running time: 102 minutes
A documentary about the pivotal shift in documentary film, Cinema Verité follows the evolution of static, institutional non-fiction film into a flowing -- and often shaky -- vehicle of artistic expression.
Montreal-based filmmaker Peter Wintonick (Manufacturing Consent) opens this slick yet sedate take on film history with a shot of Terrence Macartney-Filgate -- regarded as the pioneer of the Candid Eye series -- sitting on a Toronto streetcar with a digital camera, filming Wintonick’s crew as they are filming him. It’s a wonderfully reflective image that captures the essence of the self-conscious movement and sets up the history ...
Canadian Must-Sees: The Apprencticeship of Duddy Kravitz
Ted Kotcheff's adaptation of Mordecai Richler's CanLit classic brought a hint of Hollywood to the wilderness of Canadian cinema, blazing a trail for the next generation of storytellers looking to bring a slightly different eye to the Canadian experience
THE APPRENTICESHIP OF DUDDY KRAVITZ (1974)
4/5
Directed by: Ted Kotcheff
Starring: Richard Dreyfuss, Micheline Lanctôt, Denholm Elliot, Jack Warden, Randy Quaid, Joe Silver.
Running time: 121 minutes
One of the first movies I can remember that actually showed me where I lived, The Apprenticeship of Duddy Kravitz somehow legitimized the Canadian experience to Canadians -- and somewhat ironically, made a bona fide star out of its American lead in the process.
Richard Dreyfuss plays Duddy Kravitz, a character born from the imagination of the late, Montreal-based shit-disturber, Mordecai Richler. Duddy is part weasel, part brass-balled hero, which means we have a love-hate relationship with him throughout the ...
Mission improbable, but entertaining
Tom Cruise has just the right amount of crazy to energize the latest film in a series of preposterous action adventures that take us around the world to see breathtaking stunts. Warning: thinking is counter-indicated
Movie review: Vacation feels like work
Though the set-ups take forever and Ed Helms's performance is just plain irritating, there's enough humanity in this vehicle to make us care as it drives American family values into a brick wall -- with Griswold results
Canadian Must-Sees: The Sweet Hereafter
Atom Egoyan crafted a world with a gaping black hole in the centre, pulling characters into a swirling, self-destructive vortex, while simultaneously affirming the redemptive power of love
THE SWEET HEREAFTER (1997)
5/5
Directed by: Atom Egoyan
Starring: Ian Holm, Sarah Polley, Tom McCamus, Bruce Greenwood, Arsinée Khanjian, Gabrielle Rose, Earl Pastko, Stephanie Morgenstern and Maury Chaykin.
Running time: 112 minutes
A film that touches on the essence of love by throwing us into the abyss of loss, The Sweet Hereafter marks the apex of the English-Canadian film tradition as it navigates the empty space left in the wake of tragedy with a gentle, but unsentimental eye.
Based on the novel by Russell Banks, The Sweet Hereafter focuses on a school bus tragedy in a small town, and the big city lawyer who drives into town looking to point the finger of blame. Ian Holm plays Mitchell Stephens, a slimy litigator who makes a living off of other people’s pain ...