Movies 696 results

Jay Stone and Katherine Monk movie reviews and profiles. Movies new to streaming / DVD.
Reviews of Canadian movies and filmmaker profiles by Katherine Monk and Jay Stone.

4Score

Movie review: The Martian is out of this world

Matt Damon is stranded four years from home in Ridley Scott's compelling — and surprisingly humourous — sci-fi adventure, writes Jay Stone    
4Score

Sicario: Denis Villeneuve deploys A-list talent to the dark side

Movie review: Sicario Emily Blunt kicks down the doors as Kate Macer, an above-board FBI agent who ends up knee deep in the decomposing corpses of cartel land
2Score

Movie review: The Green Inferno

Eli Roth's new movie screams "Eat me" There's more to horror than dismemberment, cannibalism and gory plane crashes, but the director of the Hostel series remains oblivious to the emotional needs of horror, and the whole concept of acting
2.5Score

Movie review: The Intern doesn’t pay off

In Nancy Meyer's new film, Robert De Niro is a 70-year-old intern in the on-line company run by Anne Hathaway, where selling clothing is secondary to handing out familiar advice

Listen to Me Marlon filmmakers found heart of darkness

Brando narrates his own story in new documentary Surviving a broken home with alcoholic parents, Marlon Brando found a way to heal using a tape recorder, isolation and a professional obsession with truth that made every performance vibrate with all the beauty, and ugliness, of the human condition By Katherine Monk PARK CITY, UT – When Marlon Brando was still alive, his face was scanned using what was, at the time, cutting-edge digital technology. Pulses of laser light crisscrossed his famous profile, swallowing each feature into an algorithm, resulting in an animated, glowing green grid: a Marlon matrix. The footage lingered for years. Then the producers behind Restrepo, Waiting for Sugar Man and James Marsh’s Project Nim got a call from Brando’s estate. “They approached us to do something and we said we’d be delighted, but only if we can make it in a way that is entirely original,” says John Battsek, one of the founders of London-based Passion Pictures – ...
4Score

Movie review: Best of Enemies is galvanizing

A documentary about the 1968 televised debates between William F. Buckley Jr. and Gore Vidal becomes a study of two fascinating men, but also of the way TV, and politics, were changed forever
3Score

Movie review: The Kindergarten Teacher

In this Israeli film, a teacher discovers a five-year-old poetry genius in her class and becomes increasingly obsessed with nurturing, protecting and owning his talent  
3.5Score

Black Mass: A Whiter Shade of Noir

Johnny Depp's performance as real-life criminal James 'Whitey' Bulger is just another anemic reflection of film noir, the once-virile genre that gave birth to the gangster as American antihero and offered a cautionary tale for the collective subconscious  

Truth is stranger than TIFF

Real-life dramas make their appearance at the Toronto film festival, but sometimes in the movies, facts get in the way of a good story By Jay Stone   TORONTO — Truth occasionally makes an appearance at a Toronto International Film Festival, although usually not in the presence of a movie star (“You were great, Kevin!”) It pops up in a few movies, more or less; not just in documentaries, its natural home, but in the Hollywood versions of real-life stories, usually twisted ever so slightly to make it more interesting, or cinematic, or sellable. Sure, truth is stranger than fiction, but the challenge is to make it more lucrative.   The biggest “true” story at TIFF is Spotlight, the Tom McCarthy version of the real-life expose by the Boston Globe of the scandal of sexual abuse of children by Catholic priests (the Globe won the 2003 Pulitzer prize for the story.)   Spotlight — the name of the four-person investigative team at the Globe that ...

#TIFF15 – LEGEND measures Hardy’s range

Tom Hardy sinks his incisors into the dual role of duelling siblings Reggie and Ronnie Kray in Brian Helgeland's stylish gangster drama that takes on classical and classist themes, then pummels them to pulp LEGEND Directed by Brian Helgeland. Starring: Tom Hardy, Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Tara Fitzgerald, Taron Egerton.   Thirty years ago, Tom Cruise made a fantasy movie with Tim Curry, a herd of unicorns and director Ridley Scott called Legend. This is not that movie. If there’s any connection to be made, Brian Helgeland’s LEGEND shares DNA with The Krays, Peter Medak’s 1990 movie about Reggie and Ronnie Kray, twin brothers who ruled the London underworld in the 1960s.   Violent, cocky, but entirely self-created criminal kingpins, Reggie and Ronnie Kray became guttersnipe folk heroes: Kids from the wrong side of London who cracked the upper crust with fists and a shiv.   Their story really is ...