Alita: Battle Angel embodies modern socialist ideal
Movie Review - Alita: Battle Angel
James Cameron and Robert Rodriguez pull off some careful reprogramming of a Japanese animé heroine by pitting her superior cyborg parts against human selfishness in a post-apocalyptic wasteland.
Isn’t It Romantic? feels like a rhetorical question
Movie review: Isn’t It Romantic?
Rebel Wilson leads a revolutionary effort through the red taffeta jungle of rom-coms, but fails to topple the upper tier of icing-covered couple expectations. And that’s probably just the way we want it. “Somewhere deep down, we crave a fairy tale ending for a relatable character — just as we do for ourselves,” writes movie critic Katherine Monk.
LEGO Movie 2 misses magical click but still sticks
Movie Review: The LEGO Movie 2 - The Second Part
The absurdist edge and creative intelligence that made the first LEGO movie a masterpiece is eclipsed by shallow self-awareness and plastic brick branding, but the Second Part still builds a world of enchantment by piecing together sibling rivalries with heart.
Wonders of the Sea 3D chants Give Piscis a Chance
Movie review: Wonders of the Sea 3D
The Cousteau family returns to the big screen for a three-dimensional dive that goes deep to reveal the ocean’s mind-bending beauty in minute detail, yet comes up a little shallow when it comes to addressing the human flaws that now define the landscape.
Kidman falls prey to bad hair daze in Destroyer
Movie review: Destroyer
By tugging at the fake-looking locks sported by Nicole Kidman in Karyn Kusama’s ode to L.A. Noir, our critic coughs up a tangled knot of endemic sexism, and a latent desire for a little more destruction from downer Destroyer.
The pain of Glass
Movie review: Glass
M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.
How Bao’s house of women brought new dimensions to Pixar animation
Interview - Bao Filmmakers Domee Shi and Becky Nieman-Cobb
The Oscar nominations come out January 22 and Canadian director Domee Shi is already on the shortlist with Bao. She can’t talk about the Academy Awards, but the Toronto-raised animator says just making the short at Pixar feels like a victory.
Widows buries thriller formula and finds female power
Movie Review - Widows
Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo, Widows could still blow things wide open.