Irene Howard, History Is Her Story
People: Plaque unveiled for Helena Guttridge
Mayor's tribute to Vancouver's first female councillor strikes a personal note for Rod Mickleburgh, who in turn honours a chronicler he calls 'Auntie Irene'
By Rod Mickleburgh
(May 19, 2017) - At the age of 70, my beloved Auntie Irene, under her scholastic name of Irene Howard, published her definitive biography of Helena Gutteridge, Vancouver’s first woman “alderman”. Ten years later, when she was 80, she completed her remarkable book Gold Dust On His Shirt, a moving saga of her family’s working class life in the gold mines of British Columbia, feathered with impeccable research of the times. At 90 she published a very fine poem, which is reproduced below.
And one morning last month, at the age of 94 and a half, Auntie Irene sat in the front row of chairs arrayed in a room off the main lobby at city hall, looking as elegant and vivacious as anyone who pre-dated Vancouver’s Art Deco municipal masterpiece by 14 years ...
Canadian women bound for Palm Springs
Movies: Palm Springs International Film Festival
The partnership between Palm Springs and Telefilm continues to push the Canadian film cause in influential U.S. circles, with female directors taking centre stage
By The Ex-Press
(December 22, 2016) — A delegation of strong Canadian women will be heading to Palm Springs in the new year, showcasing work that touches on everything from Kenyan marathon runners to resource extraction and First Nations issues in the North.
Anjali Nayar’s Gun Runners, Nettie Wild’s Koneline, Anne Émond’s Nelly and Chloé Robichaud’s Pays were selected to screen at this year’s Palm Springs International Film Festival, joining Zacharias Kunuk’s Maliglutit, Xavier Dolan’s Juste la fin du monde and Juan Andrés Arango’s X Quinientos as part of this year’s seven-film Canadian delegation, one of the strongest in recent years.
“With a diverse mix of Canadian features—including works from emerging talent and an Indigenous pioneer, ...
Remembering a massacre: A tough pill to swallow
The Sick Days: Part 18
Covering the events of December 6 at L'École Polytechnique was a formative experience, and one a seasoned reporter now thinks she got all wrong.
By Shelley Page
(Published Dec. 2, 2015) The moment my editor told me to get to the airport, my stomach fell as though I was on the down slope of a rollercoaster. I stood in the middle of the newsroom, as a few deskers and reporters stared at me expectantly, wondering if I could possibly decline. I think reporters often dread the unknown of a story and the difficulties that lay ahead to nail it down, but I feared I just wasn’t up to the task.
I’d been feeling tired, lupus tired, for days and I was walking like an elderly woman whose joints lacked lubricant.
But the killing in Montreal had begun around 5 p.m., and within 20 minutes, 27 people were shot or stabbed. All the dead were young women; fourteen of them.
How could I not go?
In the Beaches areas apartment I shared with my absentee boyfrie...
Election Prediction 2016: Ted Baxter trumps Sue Ann
Politics: Mary Tyler Moore show predicts U.S. election winner
In a contest that would pit Ted Baxter against Sue Ann Nivens, it's a case of the narcissistic clown versus the scheming cougar who knows how to use a knife
By The Ex-Press.com
(Updated 4:44 pm. Nov. 8, 2016) We all know that ever since Richard Nixon and Jack Kennedy went tete-a-tete on the tube before 100 million viewers back in 1960, politics has been a television sport. Candidates have been forced to find a telegenic face to show the public, a personality that we'd welcome on our sofa, and a few good lines that define their character in a memorable way.
In essence, they become TV characters. Every campaign becomes a sit-com or a serial drama, a mini-series or a soap. The 2016 Presidential campaign was definitely an ensemble piece. At times, it felt more cable than network, but if you overlook the gratuitous vulgarity and a potentially tragic ending, the Clinton vs. Trump contest was all sit-com: Each character ...
Bob Dylan don’t need Nobel, or stinking badge
Comment: On Bob Dylan, Nobel laureate
Looking back on a close encounter of the Dylan kind reveals a slightly rumpled honouree who has a hard time accepting praise, let alone the Nobel Prize
*Caution: This article contains a top-100 list of Bob Dylan songs.
By Rod Mickleburgh
In the winter of 1990, I waited with a handful of reporters and photographers in a grand salon of the Palais-Royal in Paris for Bob Dylan. More than 25 years ahead of the Nobel Prize people, the French had decided that Dylan’s lyrical prowess was worthy of the country’s highest cultural honour, Commandeur dans l’ Ordre des Arts et des Lettres. T.S. Eliot was one of the first to receive the award in 1960. Borges followed in 1962. And now, following in the footsteps of Sean Connery (1987), it was Bob’s turn.
Finally, the gilded, ceiling-high white doors opened, and there he was, ambling into the opulent room, followed by France’s flamboyant minister of culture at the time, Jack Lang. He was ...
Penetrating Helen Gurley Brown
Books: Not Pretty Enough - The Unlikely Triumph of Helen Gurley Brown
New biography of the woman who recreated Cosmopolitan as a vehicle of sexual empowerment reveals lifelong insecurities and a penchant for moisturizing with baking lard
Telefilm touts diversity as key to future
News Brief: Canadian Film Industry
Telefilm Canada announces a new diversity initiative designed to increase representation within the "Canadian Film Portfolio" by 2020 through new initiatives and industry partnerships
By The Ex-Press
Right now, it's all just words on a press release, but by 2020 the Canadian film landscape will look a lot different if Telefilm makes good on a promise of "diversity" they made earlier today (Thursday, September 8) in Montreal.
Seeking to increase the field of representation to better reflect the population of Canada, Telefilm Executive Director Carolle Brabant declared the following objective: "By 2020, [to] have a more representative and diversified feature film portfolio that better reflects gender, diversity and Canada’s Indigenous communities."
To realize the long-term goal, Telefilm will partner with the Canadian Media Producers Association (CMPA) and the Association québécoise de la production médiatique (AQPM) to create ...