The Dead Don’t Die Doesn’t End Well
Movie review: The Dead Don’t Die
Jim Jarmusch’s send-up of horror tropes feels like a basic lesson in what zombie movies symbolize — a cultural descent into empty consumerism and brain-devouring distractions -- but little more.
BlacKkKlansman gets under the all-white hood
Movie Review: BlacKkKlansman
Spike Lee's movie, based on the true story of a black policeman who infiltrated the Ku Klux Klan, focuses on America’s enduring cultural history of racism.
Paterson finds poetry in the everyday
Movie Review: Paterson
In Jim Jarmusch's new film, a bus driver named Paterson who lives in Paterson, N.J. — hometown of William Carlos Williams and Alan Ginsberg — sees life as gentle verse