Ben Wheatley 3 results

Wintour is Coming… to home entertainment

What's Streaming: August The nights are getting shorter, but there's more to sink your eyeballs into when the sun goes down as Tom Hanks, the Met Gala, a High-Rise horror and The Lobster hit home By Katherine Monk The First Monday in May (3/5) Who doesn’t want to go behind the scenes at the Metropolitan Museum of Art? I know I do, even if I’m just getting access to the costume gallery – that small square of space accessible by freight elevator and remote staircases in the bowels of the storied institution on Fifth Ave. Ever since its inception in 1946, the costume institute (now named after Vogue editor and chief fundraiser Anna Wintour) hosts the museum’s annual fundraising ball, which makes or breaks the annual operating budget on the first Monday in May. With so much riding on the Met Gala, you can feel the stress in curator Andrew Bolton’s fashionable fibers from the moment the movie opens. And it ramps up from there as we watch him prepare for the opening of ...
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High-Rise makes you feel the fall

Movie review: High-Rise Ben Wheatley's adaptation of J.G. Ballard's 1975 novel about high-rise living takes social metaphor to vertiginous heights

Ben Wheatley’s attack of social vertigo

Interview with Ben Wheatley The Down Terrace director climbs to new cinematic heights in High-Rise, an adaptation of J.G. Ballard's book about class wars unfolding in a concrete tower - and we haven't even mentioned the stuff with Scorsese   By Katherine Monk VANCOUVER – “If I had to draw something right now, I would draw a cross face. I can draw them quite well,” says film director Ben Wheatley, revealing a secret talent – and maybe, just a hint of repressed hostility. It’s hard to read his face. Half-covered in facial hair and wearing a look of unmistakable fatigue, the director of Sightseers, Down Terrace, A Field in England, the new feature High-Rise and a forthcoming Martin Scorsese-produced thriller called Free Fire looks like a prisoner who just sat down in the warden’s office: Present, honest, but not altogether enthusiastic. This is something he has to do. When you make a movie with a studio, they expect you to hit the road and talk about ...