Brad Pitt 5 results

Jay Stone’s Top 10 movies of 2019

(Along with one honourable mention and one movie that every one else loved conspicuous by its absence) By Jay Stone   Here are my favourite movies of 2019, in alphabetical order:   Honeyland: An amazing documentary, filmed in Macedonia, about a female beekeeper who lives with her ailing mother in rocky isolation, and harvests honey in a way compatible with her deep understanding of the life of bees. This hard-scrabble harmony is disrupted by a family of raucous nomads who move next door. The result is a galvanizing drama about society, greed, culture and, well, bees.   Gloria Bell: Sebastián Lelio’s remake of his own 2013 Spanish-language movie Gloria stars Julianne Moore as a divorcee who assuages her loneliness at dance clubs, and John Turturro as the constricted man who falls for her. The final scene, with the magnificent Moore dancing to the titular disco hit, is one of the great cinematic shouts of joy of the year.   Jojo Rabbit: New ...
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Review: Ad Astra explores the emptiness of the masculine ideal

Movie review: Ad Astra James Gray probes the hero myth through a father-son story that casts Brad Pitt and Tommy Lee Jones as strangers trying to find a meaningful connection in the existential void.
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Review: Once Upon a Time in Hollywood…

Movies: Once Upon a Time in Hollywood Quentin Tarantino cements his brand into every boring, bloody frame of his latest picture, which frames a Brad Pitt-Leonardo DiCaprio buddy story against the backdrop of the Manson murders. Critic Katherine Monk says the acting is heroic, but the movie is just plain bad.
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The Big Short goes long on greed

Movie review: The Big Short Capitalizing on his comedy savvy talent, director-writer Adam McKay turns Wall Street's crooked ways into a fragmented farce that makes us laugh at our own funeral  
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Digging two Pitts By the Sea

Movie Review: By the Sea Angelina Jolie and Brad Pitt look to the black and white classic starring Elizabeth Taylor and Richard Burton in this flat, contrived and utterly self-conscious piece of cinema that isn't afraid of Virginia Woolf, or dark satire