First Nations 9 results

Giller winner conjures ghost of Fitz St. John

History: The Saga of Fitz St. John Behind Esi Edugyan's Giller Prize-winning novel about the astounding exploits of Barbados-born Washington Black lies the very true story of William Fitzclarence “Fitz” St. John: A Vancouver longshoreman, unionist, and pioneer who -- alongside his Indigenous co-workers -- blazed a trail for equality and fair wages on the docks.      

Don McKellar finds truth and reconciliation Through Black Spruce

Interview: Don McKellar The award-winning writer, actor and director says bringing Joseph Boyden’s bestselling novel about a Cree woman in search of her missing twin to the big screen felt like the right thing to do -- because it wasn’t his idea.

Stephen Campanelli: The Indian Horse Whisperer

Interview: Stephen Campanelli, Forrest Goodluck and AJ Kapashesit on Indian Horse He spent more than two decades in Los Angeles lensing Clint Eastwood’s Oscar winners. Now Montreal-born Stephen Campanelli is back on home turf, taking on Canada’s ugly legacy of residential schools with his big-picture take on Richard Wagamese’s Indian Horse.

Stephen Campanelli: The Indian Horse Whisperer

Interview: Stephen Campanelli, Forrest Goodluck and AJ Kapashesit on Indian Horse He spent more than two decades in Los Angeles lensing Clint Eastwood’s Oscar winners. Now Montreal-born Stephen Campanelli is back on home turf, taking on Canada’s ugly legacy of residential schools with his big-picture take on Richard Wagamese’s Indian Horse.

Linnea Dick Reconciles Modern Demons and her Father’s Monsters

Interview: Linnea Dick - Meet Beau Dick: Maker of Monsters A new documentary and a retrospective of Beau Dick's work mark the anniversary of his passing, but for his daughter Linnea, the healing journey her father started is only just beginning. The 26-year-old has already battled addiction and depression, but she’s found a purpose in poetry, helping suicidal youth, and keeping her father’s legacy alive.

Meet Linnea Dick: Daughter of a Maker of Monsters

Interview: Linnea Dick - Meet Beau Dick: Maker of Monsters A new documentary and a retrospective of Beau Dick's work mark the anniversary of his passing, but for his daughter Linnea, the healing journey her father started is only just beginning. The 26-year-old has already battled addiction and depression, but she’s found a purpose in poetry, helping suicidal youth, and keeping her father’s legacy alive.

Konelïne drills deep into the dark heart of colonialism

Movies: Available Light Film Festival Veteran documentary filmmaker Nettie Wild heads North to explore a motherlode of ugly conflict unfolding against a backdrop of pristine beauty in her latest film, Konelïne: Our Land Beautiful By Katherine Monk (Feb. 8, 2016. Updated Oct. 29, 2016) WHITEHORSE, YUKON — “We didn’t want it. We still don’t want it. But it was a done deal when they called us to the table.” Tahltan elder Lillian Moyer was speaking about a transmission line along the once-scenic Highway 37 in Canada’s Yukon, but the comments she uttered at the premiere of Nettie Wild’s latest documentary, Konelïne - Our land Beautiful, seem applicable to just about every situation that pits traditional First Nations’ values against the continuing colonial reality. From resource extraction in pristine wildlife habitats in the North to condos and casinos on traditional lands in the South, Canada’s colonial history clearly didn’t end with when Europeans ...
2.5Score

The Birth of a Nation delivers blood-soaked tropes

Movie review: The Birth of a Nation Nate Parker adopts the language of his oppressor to create a familiar, formulaic and frequently flat drama designed to celebrate the spirit of an entirely original rebel

On Truth and Reconciliation

Rod Mickleburgh listened to the testimony of former residential school students in September 2013 and saw the scars of a generation deprived of love and cultural self-esteem By Rod Mickleburgh (Thanks to Maria Tippett’s book, Bill Reid, The Making of an Indian, for some of what follows.) One of the early things I did after ending my daily journalism career of 119 years, besides endless Googling of past Montreal Expo games, was take in the Vancouver public hearings of the Truth and Reconciliation Commission in September, 2013. The experience was overwhelming. It’s one thing to read about the unspeakable tragedy of what happened in Canada’s residential schools. It’s another matter to hear former students testify first-hand, and in depth, about what happened to them and the ongoing, debilitating impact it has had on their lives and those of their families. No wonder organizers placed so many boxes of Kleenex among the seats at the PNE Agrodome. At the same time, you ...