Jay Stone’s Top 10 movies of 2019
(Along with one honourable mention and one movie that every one else loved conspicuous by its absence)
By Jay Stone
Here are my favourite movies of 2019, in alphabetical order:
Honeyland: An amazing documentary, filmed in Macedonia, about a female beekeeper who lives with her ailing mother in rocky isolation, and harvests honey in a way compatible with her deep understanding of the life of bees. This hard-scrabble harmony is disrupted by a family of raucous nomads who move next door. The result is a galvanizing drama about society, greed, culture and, well, bees.
Gloria Bell: Sebastián Lelio’s remake of his own 2013 Spanish-language movie Gloria stars Julianne Moore as a divorcee who assuages her loneliness at dance clubs, and John Turturro as the constricted man who falls for her. The final scene, with the magnificent Moore dancing to the titular disco hit, is one of the great cinematic shouts of joy of the year.
Jojo Rabbit: New ...
Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
War, Disasters and Quiet Passions: Jay Stone’s Top Ten Movies of 2017
Movies: Top Ten 2017
Greta Gerwig's coming-of-age gem, Lady Bird, garners big Stone praise amid a cluster of small diamonds about outsiders, loss and the elusive power of hope
By Jay Stone
Lady Bird: Pretty well the best time I had at the movies this year came from this small, exquisitely observed story that we’ve seen a million times: a young woman comes of age in a small town, fights with her parents and dreams of glory in the big city. But writer/director Greta Gerwig — drawing on her own life — turns this familiar material into a sweet, caustic, and authentic tale of growing up, aided by great performances from Laurie Metcalfe as the exasperated mother and Saoirse Ronan as the complicated young woman. A true gem.
The Florida Project: Filmmaker Sean Baker takes a step up from his previous movie (Tangerine, which was shot on an iPhone) but doesn’t sacrifice any of the grit in the story of people living on the edge of the American dream, in every sense: they ...
Small Wins, Big Tanks: Top Ten Movies of 2017
Movies: Top Ten Films of 2017
Film critic Katherine Monk looks back on a year without frontrunners or favourites, making 2017's top choices a truly personal matter with I, Tonya, Icarus and Wonder Woman landing on the podium, and plenty of other worthy contenders in the race.
By Katherine Monk
It seems the President and Harvey Weinstein eclipsed the klieg lights of the entertainment world: There is no artistic standout, nor crowd-pleasing frontrunner in the race for this year’s movie laurels as the recent Golden Globe ceremony proved.
The five major awards were handed out to four films. No Moonlight. No Lala Land. Not even a Hidden Figures. The year 2017 will be remembered for the last-minute resuscitation at the box-office thanks to Star Wars’s enduring shock paddles, pulling a loser year into so-so territory in the home stretch with more than half a billion in receipts for The Last Jedi.
Nonetheless, revenues were down 2.7 per cent ($11 billion US) over 2016’s ...
Battle of the Sexes Rages On
Movies: TIFF17
Stories about strong women continue to struggle for popular approval while movies about middle-aged men absorbed in their own search for success are celebrated for brave storytelling
By Katherine Monk
TORONTO (September 11, 2017) — Battle of the Sexes is the title of one of the bigger buzz movies at this year’s Toronto International Film Festival, but four days into this exhaustive and exhausting celebration of cinema, it may as well be a central theme.
On one side, the festival is showcasing films featuring strong women with the courage to pursue their dreams. On the other, it’s awash in the insecurities of middle-aged men terrified by the prospect of being forgotten. Or, worse yet, being altogether average.
Maybe it was just the course of my day that kicked off with the press and industry screening for Valerie Faris and Jonathan Dayton’s take on the famous 1973 tennis match between Bobby Riggs and Billie Jean King. I thoroughly enjoyed their period ...
Parent-Child Day at TIFF17
Movies: #TIFF17
Three movies the the Toronto film festival present different versions of the cinematic parent — Interfering Mother, Distant Father — with varying success
By Jay Stone
TORONTO — It was parent-and-child day at the Toronto International Film Festival, which is always interesting for those of us who are parents and wonder which of several cinematic categories we might fall into: Distant Father, Interfering Mother, Demanding Taskmaster (or –mistress), Indifferent Hippie or Kooky Eccentric. I think that’s all of them.
We began with a terrific little coming-of-age title called Lady Bird, starring Saoirse Ronan — heroine of yesterday’s movie marathon and providing further proof here that she can do no wrong — as a rebellious high school student growing up in terrifyingly unhip Sacramento, Calif. She laughs with her best friend, dumps the friend for some new rich kids, dumps the rich kids for the old friend, meets a couple of boys who are variously ...
