Free Solo transcends fear to achieve perfection
Movie review: Free Solo
Alex Honnold’s bid to climb Yosemite’s El Capitan without ropes or assistance gives filmmakers Jimmy Chin and Chai Vasarhelyi a chance to explore existential fears through character, and one man’s ability to focus on the moment.
Incredibles 2 Too Much Toon, Too Little Tone
Movie review: Incredibles 2
The long-awaited sequel to The Incredibles picks up the Parr family where we left them, but the world and our innocent sense of wonder has changed. Maybe that’s why Brad Bird’s Incredibles 2 feels a little out-of-sync, despite its cinematic skill.
Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
Black Panther Plays with Ancient Yarns
Movie Review: Black Panther
Hollywood dons its first pair of progressive lenses with Ryan Coogler's fiercely entertaining rewrite of superhero stereotype that helps correct old vision problems
In the Fade Rubs Out Boundaries of Moral Behaviour
Movie Review: In the Fade
Diane Kruger won best acting honours at Cannes for good reason: her performance as a grieving mother and widow in the wake of a terrorist attack takes us from a noble quest for justice to the cellar of revenge
Atomic Blonde Blasts the Past
Movie Review: Atomic Blonde
Charlize Theron kicks plenty of ass as a Cold War-era spy born from a nostalgic graphic novel, but David Leitch sacrifices coherence on the altar of non-stop action -- which turns out to be a fitting salute to the era.
Kong: Skull Island feels a little empty-headed
Movie Review: Kong - Skull Island
The oversized ape makes a spectacular return in this big-budget B-movie that tries to plumb the depths of the American psyche but ends up playing in a muddy puddle