William Oldroyd Finds Lady Macbeth’s Spot
Movies: Interview with Lady Macbeth director William Oldroyd
Lady Macbeth is riding a wave of feminist revisionism that emerged with Margaret Atwood's The Penelopiad and crests with the forthcoming Ophelia, but director William Oldroyd says more women's stories should be told. Not just because they're full of drama. But female actors are available. They're better. They're also cheaper.
By Katherine Monk
In 1865, an author by the name of Nikolai Leskov picked up on something his contemporaries were doing. He revised Shakespearean drama for a Russian audience, playing with context but keeping the core of the character intact. Ivan Turgenev offered up Hamlet of the Shchigrovsky District in 1859, and Leskov published Lady Macbeth of the Mtsensk District — a bodice-ripping, bed-post gripping romance featuring a young woman in a loveless marriage.
A century and a half later, we can see a similar trend emerging as filmmakers once more revamp Shakespeare, as well as other classics, ...
Atomic Blonde Blasts the Past
Movie Review: Atomic Blonde
Charlize Theron kicks plenty of ass as a Cold War-era spy born from a nostalgic graphic novel, but David Leitch sacrifices coherence on the altar of non-stop action -- which turns out to be a fitting salute to the era.
Dunkirk Doesn’t Work
Movie Review: Dunkirk
Christopher Nolan's war movie about the 'miracle' at Dunkirk fights itself on the beaches, in the air and on the seas; it never surrenders a strand of storyline in its desire to go big.
The Big Sick Proves a Salve to the Soul
Movie Review: The Big Sick
Rom-com meets Romeo and Juliet in Kumail Nanjiani's truth-inspired story that follows our lovesick hero down hospital corridors to face life, death and family
Trish Dolman directs the national selfie: Canada in a Day
Interview: Trish Dolman
Vancouver filmmaker Trish Dolman captures Canadian soul in crowd-sourced documentary portrait airing tonight on CTV
By Katherine Monk
(July 1, 2017) VANCOUVER — There is something extraordinarily moving about Canada in a Day, even though one might say it’s thoroughly ordinary.
A visual scrapbook pulled together from over 16,000 video submissions from average Canucks who pointed the camera at their own lives on September 10, 2016, this selfie collage isn’t a film made by the rich and famous. It wasn’t scripted, and contains no professional actors. Yet, there is drama. There’s a palpable sense of theme. And despite the diversity of the players and their unique messages, one even feels a sense of unity. A shared heartbeat echoing empathy and human understanding. It’s lurking in every frame, because it’s part of who we are as a people.
It’s also because of Trish Dolman, the Vancouver-based producer and director who took on the challe...