La La Land is where love and art tangle
Movie review: La La Land
This musical love letter to the movie business, jazz and romance is an intoxicating throwback to the days of dancing among the stars and singing your heart out in the hopes of making it
Bringing up Babies: Top Ten movies of 2016
Movies: Top Ten 2016
Some say Donald Trump won the Presidency playing to childish insecurity and name-calling, but the annual box-office derby also proved a public appetite for adolescent entertainments. Film Critic Katherine Monk breaks down the top-ten money earners, and offers her own take on the year's best.
By Katherine Monk
(Published Jan. 2, 2017)
The political arena wasn’t the only place where childhood behaviours prevailed in 2016. Movie theatres also played to our apparent desire for less-sophisticated, over-simplified entertainments.
It was the year the Mouse House roared: The Walt Disney Company was responsible for five of the year’s top ten earners worldwide, for a record haul of $4.829 billion - just a little under half the cumulative worldwide gross of $11.3 billion.
Disney raced to the pinnacle of a relatively static box-office heap with titles that included the top-earning Captain America: Civil War ($1.153B), Finding Dory ($1.027B), Zootopia ...
The Promise not worth keeping
#TIFF16: Critic's Dispatches
A bad old-fashioned historical drama about the Armenian genocide revisits final days of Ottoman Empire while La La Land and few gin and gingers quench artistic thirst
By Jay Stone
TORONTO — They threw a party last night at the Toronto International Film Festival where they served a delicious drink made of gin and ginger ale, and you could have as many as you want.
When I regained consciousness, it was time for The Promise, a bad old-fashioned historical drama in which the troubles of three little people — in this case, an Armenian apothecary (Oscar Isaac), a comely dance teacher (Charlotte Le Bon) and an American journalist (Christian Bale) — don’t amount to a hill of beans when they’re cast across the vast and clichéd canvas of tragedy during the First World War. Fusillades of exposition fly across the screen, capturing our doomed heroes in a crossfire of clunky dialogue, tired movie tropes, and earnest over-acting. Pass the gin and ...
Seeking inspiration in the Big Smoke
#TIFF 16: Critic's Dispatches
Damien Chazelle's La La Land offers a deep breath filled with human notes in an urban landscape where the creative urge is often filtered and conditioned for comfort
By Katherine Monk
TORONTO — The condo tower I’m staying at affords me a view of downtown Toronto’s rooftops: squares and rectangles carving their way into the horizontal blue line of Lake Ontario. Sheer glass and steel boxes topped with trailing steel tubes that allow sealed office buildings to breathe.
Inspiration, mechanized.
It’s a necessity in an urban landscape that denies human scale, and emotionally speaking, all things human. But I didn’t even notice the ambient drone of a thousand HVAC fans whirring away over the Big Smoke until today — until I saw Damien Chazelle’s La La Land and rediscovered what true inspiration really feels like: A deep breath exhaled as song.
Sure, La La Land had already been touted as the big buzz movie at this year’s Toronto ...
