Movie Review 121 results
4Score

Alita: Battle Angel embodies modern socialist ideal

Movie Review - Alita: Battle Angel James Cameron and Robert Rodriguez pull off some careful reprogramming of a Japanese animé heroine by pitting her superior cyborg parts against human selfishness in a post-apocalyptic wasteland.
3.5Score

Isn’t It Romantic? feels like a rhetorical question

Movie review: Isn’t It Romantic? Rebel Wilson leads a revolutionary effort through the red taffeta jungle of rom-coms, but fails to topple the upper tier of icing-covered couple expectations. And that’s probably just the way we want it. “Somewhere deep down, we crave a fairy tale ending for a relatable character — just as we do for ourselves,” writes movie critic Katherine Monk.
3.5 Score

LEGO Movie 2 misses magical click but still sticks

Movie Review: The LEGO Movie 2  - The Second Part The absurdist edge and creative intelligence that made the first LEGO movie a masterpiece is eclipsed by shallow self-awareness and plastic brick branding, but the Second Part still builds a world of enchantment by piecing together sibling rivalries with heart.
3Score

Miss Bala is mucha macha feminista, but a bust of thriller

Movie review: Miss Bala Catherine Hardwicke loads the barrel with a strong, smart heroine and a pioneering edge, yet she never achieves a straight arc with Miss Bala, despite a solid, near-omnipresent performance from Rodriguez
3Score

Kidman falls prey to bad hair daze in Destroyer

Movie review: Destroyer By tugging at the fake-looking locks sported by Nicole Kidman in Karyn Kusama’s ode to L.A. Noir, our critic coughs up a tangled knot of endemic sexism, and a latent desire for a little more destruction from downer Destroyer.
3Score

The Upside has Hart, art, and good intentions but lacks dramatic clash

Movie Review: The Upside American remake of French hit Les Intouchables removes rudeness from the equation and comes up short on conflict, leaving a well-set table that misses the essential mess of life.
3.5Score

Widows buries thriller formula and finds female power

#OscarCheck2018 Movie Review - Widows Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo,  Widows could still blow things wide open.
3.5Score

The Front Runner circles lapse of judgment in a losing cause

Movie Review: The Front Runner Jason Reitman recreates the late-80s political landscape to survey the moment when the sober Republic turned into All-American spectacle: Gary Hart’s soiled Presidential bid, spoiled by sex scandal and the rise of tabloid TV.
4.5Score

Boy Erased etches sketch of family versus faith into film history

Movie Review: Boy Erased Director-actor Joel Edgerton brings Garrard Conley’s memoir of his time in conversion-therapy to the big screen with a cast of powerful voices. Veterans, and fellow Aussies, Russell Crowe and Nicole Kidman form the harmony and chorus, while Lucas Hedges performs a heartbreaking solo as the son of a Baptist minister struggling with sexual identity. The combination of all three is close to a religious experience, writes critic Katherine Monk.
3Score

Bohemian Rhapsody misses Mercury’s sexy essence

Movie Review: Bohemian Rhapsody Rami Malek does an awfully good job of manufacturing an English accent and a sense of sweet mischief, but for all his talent and ambition, he lacks the physical magnetism that defined Freddie Mercury and Queen’s unique place in the arena rock pantheon.