Review: Ford v Ferrari restores Le Mans lore
Movie review: Ford v Ferrari
Director James Mangold creates a powerful dramatic engine with Christian Bale and Matt Damon as twin pistons in a turbo-diesel, bringing a dependable, constant chug of power that just keeps combusting in the analog-inspired Ford v Ferrari.
Review: Midway torpedoes MAGA hat hate
Movie review: Midway
Roland Emmerich shows uncharacteristic restraint in his ode to the Battle of Midway, an against-all-odds story of courage and bravery that truly made America “great."
Review: Before You Know It finds new edge to family dysfunction
Movie Review: Before You Know It
Soap opera star Judith Light plays to her strengths as an actress who gave up her two daughters to pursue her career, only to be reunited as an awkward family in later life. Director, actor and co-writer Hannah Pearl Utt finds a female way of communicating -- wrapped in apology and accusation -- that gives the unconvincing plot a jolt of novelty that serves the larger purpose.
The Goldfinch fails to adapt but Donna Tartt’s DNA survives
Movies: #TIFF19 - The Goldfinch
The Pulitzer Prize-winning novel about survival divided audiences in print form as it fragmented in the final act. John Crowley’s visually satisfying, but dramatically disappointing, movie version falls prey to the same problems in its bid to fit too much into the frame.
Hustlers strips systemic sexism down to the boner
#TIFF19: Hustlers Movie Review
A team of smart pole dancers fleeced the wolves of Wall Street by exploiting their natural resources, but this female revenge story based on a New York magazine piece doesn’t grab at easy conclusions. Director Lorene Scafaria teases out the hard reality of gender inequality, one lap dance at a time.
Review: The Kitchen is a woman’s place, indeed
Movie Review: The Kitchen
Part revenge-quest, part sisterhood of the travelling pants with pistols, The Kitchen has so many male constructs sewn into its inseam, first-time director Andrea Berloff doesn’t have a lot of room to move. It’s a man’s cut, yet but makes it comfortable by wearing it all a size too large, boyfriend style, writes critic Katherine Monk.