Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
At #TIFF18, it’s all about the music
Movies: #TIFF18, Toronto International Film Festival
The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir
By Jay Stone
(September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria.
You can sometimes forget the importance of music in ...
Crazy Rich Asians takes rom-com for a luxury ride
Movie review: Crazy Rich Asians
Jon M. Chu’s adaptation of the Kevin Kwan bestseller proves money trumps ethnicity and genre is universal as we watch a Romeo and Juliet romance unravel in the middle of Singapore.
BlacKkKlansman gets under the all-white hood
Movie Review: BlacKkKlansman
Spike Lee's movie, based on the true story of a black policeman who infiltrated the Ku Klux Klan, focuses on America’s enduring cultural history of racism.
Leave No Trace Gets Lost on Purpose
Movie Review: Leave No Trace
Ben Foster and Thomasin Harcourt McKenzie take on the weight of a father and daughter looking for a place to call home in world that wavers between ambivalence and hostility.
Incredibles 2 Too Much Toon, Too Little Tone
Movie review: Incredibles 2
The long-awaited sequel to The Incredibles picks up the Parr family where we left them, but the world and our innocent sense of wonder has changed. Maybe that’s why Brad Bird’s Incredibles 2 feels a little out-of-sync, despite its cinematic skill.
Check In at Hotel Artemis and Visit Hell
Movie Review: Hotel Artemis
A decaying deco hotel set in a dystopian downtown Los Angeles creates a swirling backdrop for a random story of redemption anchored only by Jodie Foster’s persistent talent and Dave Bautista's hulking presence.