A Hologram for the King an empty projection
Movie review: A Hologram for the King
Tom Hanks's latest feels like a collection of the beloved actor's greatest hits all rolled into one big lump of fish-out-of-water comedy that flops around on deck for the duration
Hello, My Name is Doris – the Exploress
Movie Review: Hello, My Name is Doris
Sally Field finds fertile terrain as an eccentric hoarder in Hello, My Name is Doris, a feel-good romantic comedy aimed at menopausal women that's appealing to all
New look suits The Jungle Book
Movie Review: The Jungle Book
Director Jon Favreau uses state of the art digital technology to animate Rudyard Kipling's story of an orphan boy raised by wolves, and in the process, exhumes the dark heart of a child's version of Apocalypse Now
Knight of Cups runneth over
Movie Review: Knight of Cups
Drinking in Terrence Malick's imagery of deeply saturated Los Angeles will leave you in a mental stupor, but that seems to be the point of this meditation on movies
The Bronze straddles a low bar
Movie review: The Bronze
Melissa Rauch's send-up of competitive gymnastics includes an acrobatic sex scene and cartoonish characters in tracksuits, but lacks the gritty heart required for a sports movie -- even an insincere one
The Little Prince gets a little lost
Movie review: The Little Prince
An uneven effort with plenty of good intentions, Mark Osborne's adaptation of Antoine de Saint-Exupéry's kid-lit classic gains a new dimension but loses some depth
Peanuts, Macbeth, a big whale and an evil car hit home entertainment
Entertainment: @home releases for March 8
Embrace the joy of Snoopy or explore the many faces of man-made evil as Michael Fassbender cuts to the bone in Macbeth, James McAvoy breathes life into Frankenstein and James Brolin tries to stop a killer car
By Katherine Monk
We love you, Charlie Brown: The Peanuts Movie (4/5)
The hand-drawn essence of Charles Schulz’s iconic comic strip comes through with flying colors in this gentle transition to digital from Ice Age director Steve Martino. Martino and the animators realized they didn’t need to reinvent the characters for a modern audience by making Charlie Brown look like a human kid, or turn Snoopy into a drooling lump of pixelated fur.
They went for the feel of the source material: ever roving between pre-teen daydream, birthday party bliss and existential angst – with an emphasis on the latter, because it’s that quiet ache of looming adulthood that makes Peanuts the pop culture monolith it is.
Charlie ...
Loved The Danish Girl, Hated Lili
Movie review: The Danish Girl
How Alicia Vikander's performance as a wife who loses her husband to another woman proves there's more to being a female than donning silk frocks and fancy shoes
Gods of Egypt in need of burial
Movie review: Gods of Egypt
Director Alex Proyas brings a shallow and distracted superhero style to a story about ancient Egyptian gods in a sibling power struggle
-30-
Deadpool reanimates comic book form
Movie review: Deadpool
Ryan Reynolds's physical skills and comic timing prove unbeatable as he takes on the role of a nihilist antihero in Deadpool, a self-conscious wink to Spandex form that would have been unwatchable without him
