Movie review: Maestro reveals duelling Bernsteins living within a single legend
Movie review: Maestro
Bradley Cooper brings a heap of passion and a stylish eye to a dysfunctional love story that strips artistic ego down to the studs. Echoing the core themes of an entirely different film about Leonard Bernstein, Maestro may have you asking who plays Bernstein better: Bradley Cooper, or Cate Blanchett?
Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
13 Minutes Resets Time-Bomb of Fascism
Movie Review: 13 Minutes
Oliver Hirschbiegel returns to the land of the brown shirts to extract another timely lesson about the role of the individual in this detailed portrait of the man who nearly assassinated Adolf Hitler
Whit Stillman loves powerful women
Interview: Whit Stillman on Love & Friendship
The American filmmaker creates a fine comic weave using Jane Austen's material, Kate Beckinsale's sharp talents and his unique sense and sensibility for social satire
By Katherine Monk
“I really enjoy dominant, manipulative women. I find them very entertaining,” says Whit Stillman, his tone so matter-of-fact, it almost makes you laugh.
Then again, that’s his charm. The director of Metropolitan, Barcelona and The Last Days of Disco built a reputation as a cunning social satirist in the ‘90s for plucking the veil off human vanity to show us the pimples of truth. He also showed a preference for using powerful, insightful and somewhat self-absorbed females as the dainty hand behind his narrative tatting.
It’s the reason why his latest endeavor, Love & Friendship, feels like such a natural stitch in Stillman’s oeuvre: It’s based on the work of Jane Austen, the godmother of social satire, a pioneer of female ...
