Period Films 3 results
3.5Score

Outlaw King reimagines tribal history, bares Pine’s parts

New on Netflix/Movie Review: Outlaw King Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
3.5Score

13 Minutes Resets Time-Bomb of Fascism

Movie Review: 13 Minutes Oliver Hirschbiegel returns to the land of the brown shirts to extract another timely lesson about the role of the individual in this detailed portrait of the man who nearly assassinated Adolf Hitler

Whit Stillman loves powerful women

Interview: Whit Stillman on Love & Friendship The American filmmaker creates a fine comic weave using Jane Austen's material, Kate Beckinsale's sharp talents and his unique sense and sensibility for social satire By Katherine Monk “I really enjoy dominant, manipulative women. I find them very entertaining,” says Whit Stillman, his tone so matter-of-fact, it almost makes you laugh. Then again, that’s his charm. The director of Metropolitan, Barcelona and The Last Days of Disco built a reputation as a cunning social satirist in the ‘90s for plucking the veil off human vanity to show us the pimples of truth. He also showed a preference for using powerful, insightful and somewhat self-absorbed females as the dainty hand behind his narrative tatting. It’s the reason why his latest endeavor, Love & Friendship, feels like such a natural stitch in Stillman’s oeuvre: It’s based on the work of Jane Austen, the godmother of social satire, a pioneer of female ...