887: Robert Lepage televises the revolution
Theatre: 887
After decades of detouring issues of cultural identity, the veteran writer, actor and director creates his own confessional with 887, a new one-man show that revisits the minutia of memory
By Katherine Monk
VANCOUVER, BC — Robert Lepage always looks a little uncomfortable up there, standing like a ten-year-old at the altar, hands forcibly clasped, waiting for some wafer-thin affirmation of self. It’s the reason why his one-man shows are probably the best in the world: He can manifest conflict just by standing on stage.
The quake of insecurity. It’s deep: A black vein of that shimmers though his oeuvre and powers his creative locomotive, now many cars long, with a relentless head of steam. As a critic who’s followed his shiny train of thought for decades, I’ve always wondered where that dark seam started. And when I had the occasion of interviewing him, I would ask.
Whence the duality? Is there a political element? And he would always remain ...
Snowtime! animates a Canadian classic
Movies: Snowtime!
The creators behind Snowtime! talk about the challenges of tinkering with an emotional strand of the Quebec's cultural DNA, and getting Celine Dion onboard to sing about loss
By Katherine Monk
PARK CITY, UT — The footsteps they chose to follow were Yeti-sized craters, but that didn’t stop the filmmakers behind Snowtime! from recreating one of the most popular films in Canadian history.
Originally released as a live action feature in 1984, La guerre des tuques went on to become the highest-grossing film of the year in both English and French Canada with well over a $1.2 million in domestic receipts, not to mention several more million in ancillary merchandize in the years that would follow as the film became the go-to Christmas season broadcast — the Rudolph or Frosty for French-Canada.
“What you have to understand is this is part of the DNA of the quebec people,” said producer Marie-Claude Beauchamp, who sat down with The Ex-Press during the ...
Steamed Maple Puddings transcend presentation insecurities
Food: Recipes - Steamed Maple Puddings
They may not come out as pretty as a Donna Hay concoction, but even a less-photogenic maple steamed pudding is a sweet, soulful pleasure that's hard to beat
By Louise Crosby
Ok, here’s the story. I was so seduced by the photo of steamed maple pudding in Donna Hay’s gorgeous book The New Classics that I had to make it, had to share the recipe with you. I LOVE maple syrup and I LOVE pudding, so the combination seemed winning.
What wasn’t winning, however, was the time I spent running around kitchen stores looking for the right ramekins, the way my puddings didn’t slip cleanly out of those ramekins like Donna’s but were raggedy around the edges, and the way the maple syrup sauce did not run down the sides of the puddings in an enticing way but sunk right into the cake batter. And finally, I whipped the cream a little too hard, so it sits atop each pudding like a hat rather than relaxing downwards, all creamy and luscious. Some ...
Wim Wenders finds warmth in Canadian winter
People: Wim Wenders
The German filmmaker says he used stereoscopic 3D technology in Every Thing Will Be Fine, his latest art film about grief and loss, in a bid to bring depth to Quebec's unique landscape
By Katherine Monk
TORONTO – His voice sounds like something straight out of a fairy tale: a soft German accent bending over vowels with a delicate arc and a deep warm tone that seems to echo through hand-milled timber.
Even his name, Wim Wenders, feels like a plucky character from a Grimm plot, so the fact that this German auteur has transformed the stark hues and blinding skies of the Canadian landscape into a cozy microcosm feels strangely natural.
Every Thing Will Be Fine is Wenders’s 46th film, but it marks a series of firsts: It’s his first film in Canada, his first shoot in winter, and the first time any auteur has used 3D technology in the heady pursuit of an art film.
Wenders always thought the technology was used poorly – a point he proved in ...
Canadian Must-Sees: Le Déclin de l’empire Américain conquered Canada
Denys Arcand's chatty examination of a group of middle-aged intellectuals brought a hint of Woody Allen to the wilds of the Canadian film landscape, eclipsing linguistic politics with sex, and successfully reframing the next generation's existential crisis as more of a personal concern than a nationalist struggle
LE DÉCLIN DE L’EMPIRE AMÉRICAIN (1986)
5/5
Directed by: Denys Arcand
Starring: Dominique Michel, Dorothée Berryman, Louise Portal, Geneviève Rioux, Pierre Curzi, Rémy Girard, Yves Jacques, Gabriel Arcand.
Running time: 101 minutes
MPAA Rating; Restricted
A veritable classic, and the first film to truly establish Canada on the populist film map, Le déclin de l'empire américain is a satirical, and undeniably poignant, look at a group of self-absorbed University of Montreal professors who have analyzed their world and themselves into a state of emotional numbness.
Over the course of the Oscar-nominated movie, which opens with one ...
ROBERT LEPAGE BIOGRAPHY
Biography: Robert Lepage
Born: 1957, Quebec City
A Renaissance man with a modernist’s flair for re-inventing media, Robert Lepage is one of the most exciting visual narrators in Canadian cinema -- a talent that may be explained by his entrance to film via theatre.
Born into a working class family which had already adopted two English-Canadian children, Lepage was always interested in performance, a passion that eventually led him to Quebec City’s Conservatoire d’art dramatique. He was an engaged student, and when he graduated in 1977, he could write, direct, act and execute elaborate stage designs -- but had no particular area of expertise. After a three-week workshop with Alain Knapp in Paris, he returned to Quebec and formed Theatre Hummm with Richard Fréchette.
The two produced award-winning work and from there, Lepage hooked up with Théâtre Repère, an established troupe, where he would stage works such as Tectonic Plates, En attendant and The Dragon’s Trilogy ...
