Review: Once Upon a Time in Hollywood…
Movies: Once Upon a Time in Hollywood
Quentin Tarantino cements his brand into every boring, bloody frame of his latest picture, which frames a Brad Pitt-Leonardo DiCaprio buddy story against the backdrop of the Manson murders. Critic Katherine Monk says the acting is heroic, but the movie is just plain bad.
Wintour is Coming… to home entertainment
What's Streaming: August
The nights are getting shorter, but there's more to sink your eyeballs into when the sun goes down as Tom Hanks, the Met Gala, a High-Rise horror and The Lobster hit home
By Katherine Monk
The First Monday in May (3/5)
Who doesn’t want to go behind the scenes at the Metropolitan Museum of Art? I know I do, even if I’m just getting access to the costume gallery – that small square of space accessible by freight elevator and remote staircases in the bowels of the storied institution on Fifth Ave. Ever since its inception in 1946, the costume institute (now named after Vogue editor and chief fundraiser Anna Wintour) hosts the museum’s annual fundraising ball, which makes or breaks the annual operating budget on the first Monday in May. With so much riding on the Met Gala, you can feel the stress in curator Andrew Bolton’s fashionable fibers from the moment the movie opens. And it ramps up from there as we watch him prepare for the opening of ...
The Boss has brassy, bad-ass lady balls
Movie review: The Boss
The Boss puts the concept of "lady balls" in a whole new context as Melissa McCarthy takes on gender stereotypes by landing a series of blows below the belt, and the pelt, of good taste
True Story proves believably boring
Movie review: True Story
Self-absorbed characters desperate for ego redemption keep audience at arm's length from new Jonah Hill-James Franco mystery, writes Katherine Monk
@Home releases for April 14
The Babadook raises goosebumps, Big Eyes surprises and Escobar blows eye candy but Woman In Black 2 proves dimmest DVD/VOD release of the week.
The Babadook (2014)
Starring: Essie Davis, Noah Wiseman, Daniel Henshall, Tim Purcell. Directed by: Jennifer Kent. Running time: 93 minutes.
Four stars out of five
One of the sharper arrows in the new quiver of shiver directors, Jennifer Kent makes an impressive debut with this perfectly phrased piece of psychological horror that pits a mother and son against a supernatural force. It begins with young Samuel (Noah Wiseman) suffering from night terrors. The kid is convinced there’s a monster under his bed, but every time his exhausted mother takes a peek under the mattress in the hopes of comforting him, she sees nothing. Yet, Samuel’s visions only grow worse, leaving poor Amelia (Essie Davis) emotionally frayed and completely sleep-deprived. Kent forces us to feel her exhaustion in every queasy close-up and every ...