The pain of Glass
Movie review: Glass
M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.
A Moral Argument Reduced to Meh
Movie Review: The Hitman’s Bodyguard
Ryan Reynolds and Samuel L. Jackson exchange character clichés in a lazy thriller that misses the mark, aiming for moral high ground under a stack of corpses
Kong: Skull Island feels a little empty-headed
Movie Review: Kong - Skull Island
The oversized ape makes a spectacular return in this big-budget B-movie that tries to plumb the depths of the American psyche but ends up playing in a muddy puddle
Tarzan: Where Hollywood Meets Vine
Movie Review: The Legend of Tarzan
David Yates swings from action to romance with athletic grace in latest screen adaptation of Edgar Rice Burroughs's chest-beating bodice-ripper
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Chi-Raq: War and not getting a piece
Movie Review: Chi-Raq
Spike Lee fuses Chicago's inner-city violence with ancient Greek comedy and ends up with a windy bag of bawdy jokes that feels stiff in all the wrong ways
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Murder, He Wrote
Movie review: The Hateful Eight
Quentin Tarantino creates a self-conscious cartoon that puts a bullet through the brain of western myth
Movie review: Age of Ultron drains power
Director Joss Whedon takes a big stick to the over-stuffed piñata of Marvel Comics' characters and successfully empties out all the candy, but leaves a landscape strewn with plastic wrappers and the promise of a pounding headache
