Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
At #TIFF18, it’s all about the music
Movies: #TIFF18, Toronto International Film Festival
The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir
By Jay Stone
(September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria.
You can sometimes forget the importance of music in ...
#TIFF2018: Skipping the lineups
Movies: #TIFF18, Toronto International Film Festival
Our correspondent finds ways to see all the Donald Trump-themed films he wants, and with no waiting required
By Jay Stone
(September 8, 2018) TORONTO — Today we invoked another Toronto film festival rule for the retired critic, which is that we don’t stand in line for anything. This is partly because life is too short, and partly because you might not get in anyway and so you’ve used up some of your precious remaining minutes idly shifting from one leg to the other, indulging in the futile hope of getting a seat that will probably be in the front row, and standing behind people who talk in bored nasal voices about their film festival experiences. One tries not to listen, but one is human, after all, and one is in danger of grinding away all the remaining enamel on one’s teeth.
The downside of this guideline is that one doesn’t get to see a lot of movies that everyone else is dying to see, which is perhaps not ...
TIFF 2018: Wandering in and out of this and that
Movies: #TIFF18, Toronto International Film Festival
In which our retired film critic decides at the last minute what he wants to see and discovers he's chosen an eight-hour epic.
By Jay Stone
(September 7, 2018) TORONTO — So we beat on, boats against the current, borne back ceaselessly into the past, or, in the case of the Toronto film festival, ceaselessly into the next lineup.
People who come to film festivals to scout movies for other festivals, or who own theatres and are looking for something to show in them, move through Toronto’s cinemas like sharks, dipping their fins, as it were, into this auditorium and that. In a few minutes they can decide whether what they’re watching is worth the acquisition. Then it’s off to feed in the next hunting ground.
Film critics, on the other hand, are expected to do some research, make a schedule, and head off to the likely movies. You stick it out because you might be interviewing the stars, or the director, and they might ...
Canadian film goes full frontal in Toronto
Movies: #TIFF18, The Toronto International Film Festival
This year’s lineup of Canadian film at TIFF represents more than a handful of familiar faces, it’s a coming-of-age moment for the whole industry.
