The Sick Days: Part 6
Sweet Young Thing Seeks Star Job
Like crows trying to snag the choicest flesh off a dead squirrel, we crowded around the program head hoping to snag the choicest assignments for our first week.
By Shelley Page
Does it matter more who we were then or what we went on to do?
Graduates from my summer reporting program at the Toronto Star became Editor-in-Chief of the Globe and Mail; a best-selling author of crime fiction; a prominent columnist; foreign correspondents; a journalism professor; a rock critic; and a Pulitzer Prize winner.
But almost three decades ago, we sized each other up around a long table in the Print Room, the bar on the ground floor of the Toronto Star building at One Yonge Street.
There were 18 of us, mostly in our twenties. Four were women. Two others were from Carleton; both were guys, one a very good friend.
At 21, I was the youngest, but one of the few who had daily newspaper experience.
Amid us mostly scrappy j-school graduates, was a summer ...
Ramin Bahrani forecloses on 99 Homes
People: Rahmin Bahrani
The writer-director of Man Push Cart returns with 99 Homes, another story about social justice and an economic system that he says creates Donald Trumps, rewards greed and fails to protect families
By Katherine Monk
After directing Man Push Cart a decade ago, the late great Roger Ebert described director Ramin Bahrani as one of the most important new voices in cinema, hailing his ability to see the outsider and sympathize with those silently struggling to find their way.
His low-budget dramatic debut focused on a former Pakistani rock star who ended up selling food on the streets of Manhattan, and his more recent At Any Price starring Zac Efron took on the reality of genetically modified crops and their effect on America’s family farms.
He is unapologetic about his interest in themes concerning social justice, but Bahrani’s most recent feature, 99 Homes, may be the most trenchant piece of social commentary he’s made so far as it brings us ...