Two new docs offer deep dive on African-American dance icons
Movie review: Ailey and Can You Bring It - Bill T. Jones and D-Man in the Waters
Alvin Ailey and Bill T. Jones redefined modern dance for their generation, but while Ailey's company became the de facto representative of the African-American experience on the legitimate stage, Bill T. Jones lingered in the shadows long enough to truly know himself, and the emotional purpose behind each move.
Launching a Rocket in the Living Room
DIY Column: The Apollo XIII Project
A New Year’s resolution to reuse, recycle or purge was already in progress, then the pandemic happened, and what started as a creative bid to turn garbage into art suddenly morphed into a personal Apollo XIII mission: Without access to Home Depot, can you find a way to repurpose what you already have?
Tell the Ones You Love, now more than ever
Column: The Balm of Poetry Part 6 - Dennis Lee’s Tell the Ones You Love
Tell the Ones You Love - A short, sweet poem about love. As we struggle to cope with the terrible sweep of this unforgiving virus, Rod Mickleburgh says he finds it particularly apt.
Tiff 2019 finds its controversy in Jojo Rabbit
A young boy in Nazi Germany turns for moral guidance to a fantasy figure of Adolf Hitler in this satire that has sharply divided critics
By Jay Stone
TORONTO — Film festivals need movies that people can argue about, and the Toronto film festival has been blessed with a good one: Jojo Rabbit, a comedy set in Nazi Germany. Some people, including half of the representatives of Ex-Press.com, argue that it’s juvenile, and in bad taste, and — worst of all — not funny. Others, including the other half of Ex-Press.com staff, think it’s bold, original and filled with laughs.
And we’re not the only ones. The aggregate site Rotten Tomatoes gives it a favourable rating in the 70s, but the opinions are wildly divergent, from raves (“a triumph. A film of sophisticated brilliance and humour:” Jason Gorber, HighDef Digest) to pans (“conventional, lazy and incredibly irresponsible filmmaking:” Jordan Ruimy, World of Reel.)
Personally, I ...