Chris Buck was on the verge of quitting, then he won an Oscar
Interview with Chris Buck, co-diretor of Frozen
The Kansas-born director was finishing Frozen when tragedy struck in 2013. "I was ready to kind of say: Cartoons are a joke. Why am I doing this?” Yet, in persevering he found purpose, and a deep belief he was put on this planet for a reason: “to bring hope and inspiration.”
Review: Midway torpedoes MAGA hat hate
Movie review: Midway
Roland Emmerich shows uncharacteristic restraint in his ode to the Battle of Midway, an against-all-odds story of courage and bravery that truly made America “great."
Review: Before You Know It finds new edge to family dysfunction
Movie Review: Before You Know It
Soap opera star Judith Light plays to her strengths as an actress who gave up her two daughters to pursue her career, only to be reunited as an awkward family in later life. Director, actor and co-writer Hannah Pearl Utt finds a female way of communicating -- wrapped in apology and accusation -- that gives the unconvincing plot a jolt of novelty that serves the larger purpose.
Review: Downton Abbey’s fairy tale continues to fester
Movie Review: Downton Abbey
Julian Fellowes created a perfect little universe inside a crystal ball, then filled it with the suggestion of outside elements — a pinch of painted sand and glitter that he can agitate to conjure a snowstorm of conflict. The new feature film stays inside the gorgeous snow globe as a Royal Visit shakes up the Crawley family, and sets the stage for the next century -- as well as a continuing film franchise.
Tiff 2019 finds its controversy in Jojo Rabbit
A young boy in Nazi Germany turns for moral guidance to a fantasy figure of Adolf Hitler in this satire that has sharply divided critics
By Jay Stone
TORONTO — Film festivals need movies that people can argue about, and the Toronto film festival has been blessed with a good one: Jojo Rabbit, a comedy set in Nazi Germany. Some people, including half of the representatives of Ex-Press.com, argue that it’s juvenile, and in bad taste, and — worst of all — not funny. Others, including the other half of Ex-Press.com staff, think it’s bold, original and filled with laughs.
And we’re not the only ones. The aggregate site Rotten Tomatoes gives it a favourable rating in the 70s, but the opinions are wildly divergent, from raves (“a triumph. A film of sophisticated brilliance and humour:” Jason Gorber, HighDef Digest) to pans (“conventional, lazy and incredibly irresponsible filmmaking:” Jordan Ruimy, World of Reel.)
Personally, I ...
The Goldfinch fails to adapt but Donna Tartt’s DNA survives
Movies: #TIFF19 - The Goldfinch
The Pulitzer Prize-winning novel about survival divided audiences in print form as it fragmented in the final act. John Crowley’s visually satisfying, but dramatically disappointing, movie version falls prey to the same problems in its bid to fit too much into the frame.