First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
What Elizabeth Warren Needs to Win: A Makeover
The Politics of Fashion
It's a sad sexist reality, but optics and clothes matter more than anyone wants to admit. It's a lesson the TV-conscious Trump and his tummy-tuckers have mastered, and one Elizabeth Warren stands to benefit from the most if she surrenders her shapeless folksy rose upholstery for a sleek, Presidential style.
Sonic the Hedgehog revives cartoon soul
Movie Review: Sonic the Hedgehog
James Marsden shows the movie-going public how to handle a '90s-era videogame character reborn on the big screen as a kid-friendly version of Deadpool: Just roll with it.
The Assistant coolly dissects Weinstein scandal
Movie review: The Assistant
Documentary filmmaker Kitty Green casts Julia Garner as a 20-something underling struggling to navigate a toxic work environment and a loud, bellowing boss who bullies those around him into submission. It's not a feel-good movie. It's an ode to millennial malaise.
Dolittle could have done a lot more
Movie review: Dolittle
Robert Downey Jr. dons Victorian garb and a Welsh accent for his turn as a dotty vet with a particular gift in this grim take on a kid-lit classic that lacks authenticity, despite the realistic creatures.
Bad Boys for Life suffers from ED – excitement deficiency
Movie Review: Bad Boys for Life
Bad Boys proved movie formula could transcend all demographic boundaries while establishing the career of Michael Bay, but a quarter century hence, not even the combined charisma of Will Smith and Martin Lawrence can salvage the bore and gore of a tired reboot.
Chris Buck was on the verge of quitting, then he won an Oscar
Interview with Chris Buck, co-diretor of Frozen
The Kansas-born director was finishing Frozen when tragedy struck in 2013. "I was ready to kind of say: Cartoons are a joke. Why am I doing this?” Yet, in persevering he found purpose, and a deep belief he was put on this planet for a reason: “to bring hope and inspiration.”