Katherine Monk 343 results

Katherine Monk is a former movie critic with The Vancouver Sun and Postmedia News, as well as co-founder of The Ex-Press. She still watches a lot of movies. She can be heard talking about them on CBC Radio, and you can read what she thinks about them here, exclusively in The Ex-Press.

3Score

The Goldfinch fails to adapt but Donna Tartt’s DNA survives

Movies: #TIFF19 - The Goldfinch The Pulitzer Prize-winning novel about survival divided audiences in print form as it fragmented in the final act. John Crowley’s visually satisfying, but dramatically disappointing, movie version falls prey to the same problems in its bid to fit too much into the frame.
3Score

Hustlers strips systemic sexism down to the boner

#TIFF19: Hustlers Movie Review A team of smart pole dancers fleeced the wolves of Wall Street by exploiting their natural resources, but this female revenge story based on a New York magazine piece doesn’t grab at easy conclusions. Director Lorene Scafaria teases out the hard reality of gender inequality, one lap dance at a time.

#TIFF19 Going to the dogs, cats and bunny rabbits

Movies: #TIFF19 Animals may only occupy the frame for a few moments at at time, but their presence can define an entire character and slant audience reaction in subconscious ways. Critic Katherine Monk does a head count of the creatures great and small appearing at TIFF19.

Fascism, Feminism and the big buzz movies at TIFF19

Movies: #TIFF19 The Toronto International Film Festival is the equivalent of Christmas morning to a movie critic, and oftentimes, the most appreciated gifts are the ones in humble packages, writes critic Katherine Monk By Katherine Monk TORONTO — For film critics, the Toronto International Film Festival feels like waking up on Christmas morning. Pretty, promising packages bathed in sparkling light and and a tangle of reflected tinsel have arrived at the foot of the Bell Lightbox, just waiting to be torn open. They will either be loved and cherished, or completely forgotten, disposed of with the next day’s trash. There’s no way to predict the reception, but after a few decades of scrolling through schedules, pondering publicists’ press releases, and reading between the glowing lines penned by festival programmers, you start sifting, and making lists. The first list is always the buzz sheet: What movies are coming to the festival with some advance hype — either from ...
3.5Score

Ready or Not exploits the secret fear of in-laws

Movie Review: Ready or Not A young bride agrees to play a family game to prove her love and commitment, but traditional belief systems are the central villain in this entertaining satire that articulates a millennial disdain for decadence and inherited privilege.  
3Score

Review: The Kitchen is a woman’s place, indeed

Movie Review: The Kitchen Part revenge-quest, part sisterhood of the travelling pants with pistols, The Kitchen has so many male constructs sewn into its inseam, first-time director Andrea Berloff doesn’t have a lot of room to move. It’s a man’s cut, yet but makes it comfortable by wearing it all a size too large, boyfriend style, writes critic Katherine Monk.

Shelagh McLeod wants to put seniors on the moon

Interview: Shelagh McLeod on Astronaut If voyaging to space is the ultimate metaphor for human progress, Shelagh McLeod thinks it should be a little more inclusive. That’s why she wrote and directed Astronaut, her feature debut starring Richard Dreyfuss as an aging engineer with big dreams of going to the stars.
2Score

Review: Once Upon a Time in Hollywood…

Movies: Once Upon a Time in Hollywood Quentin Tarantino cements his brand into every boring, bloody frame of his latest picture, which frames a Brad Pitt-Leonardo DiCaprio buddy story against the backdrop of the Manson murders. Critic Katherine Monk says the acting is heroic, but the movie is just plain bad.

Tracy Edwards Still Breaking the Waves

Interview: Tracy Edwards on the documentary Maiden Of course she’d rather be sailing, but the woman who charted a winning course in world class yachting says the real victory has been watching a new generation of women ride the winds of change without fear. Tracy Edwards chats with Katherine Monk about lingering anxieties, navigating the shoals of sexism, and Alex Holmes’s new documentary, Maiden, chronicling Edwards and her all-female crew as they surfed over the ambient obstacles, and made history in the Whitbread Round the World Race in 1989.
3.5Score

The Art of Self-Defense kicks with fists while crunching numbers

Movie Review: The Art of Self-Defense Director Riley Stearns bares some surprising truths in a predictable revenge story that evolves into a forensic audit of the masculine identity as Jesse Eisenberg plays a meek accountant who helps a karate instructor reconcile the books.