Aladdin’s magic remains, but we could always wish for more
Movie Review: Aladdin
Director Guy Ritchie brings the animated classic to life with a greasy edge, some updated songs and a knack for action. He even succeeds at turning the magic carpet into a tightly-knotted character that steals every scene with its manta like moves and sassy tassels. It’s only when the movie stands still long enough that we start to notice a strange lack of dramatic tension.
Booksmart turns the page on teen girl stereotypes
Movie Review: Booksmart
Olivia Wilde’s feature debut looks at coming-of-age formula through a distinctly female lens, where acceptance and affirmation don’t rely on stunts or smashing a beer can into your forehead -- but the enduring loyalty of a best friend.
The Biggest Little Farm reclaims a barren landscape with love, labour, and loss
Movie Review: The Biggest Little Farm
When a California couple traded in their Santa Monica lifestyle for an abandoned apricot and avocado orchard, they thought Mother Nature might lend a helping hand. Yet every success brought a new pest, until they found a way to resurrect what industrialized farming ploughed under.
John Wick 3: Parabellum keeps the puppy love alive
Movie Review: John Wick 3 - Parabellum
John Wick may not wax eloquent, but he can fire up a storm in this continuing action saga that lets Keanu Reeves do what he does best: say little, bring elegance to action sequences and create chemistry with cute canines.
Pet Sematary resurrects the fear of fur
Movie review: Pet Sematary
Stephen King’s classic gets a horror makeover that keeps asking the same unholy question: How far would we go to bring back a dead loved one?
Hotel Mumbai opens ornate doors on an unholy nightmare
Movie review: Hotel Mumbai
The 2008 terrorist attacks in Mumbai resulted in the deaths of more than 170 people. Yet, until director Anthony Maras decided to dramatize the event in what proves a breathless two hours, the full dimensions of the tragedy never seemed to hit home.
Keith Behrman makes a Giant Little leap into the moment
Interview/ Canadian Film: Keith Behrman on Giant Little Ones
The Vancouver director seemed to vanish from the face of Canadian film after his feature debut. But 16 years later, Keith Behrman is back with Giant Little Ones, a coming-of-age story that gently pulls back the curtain on the delicate question of sexual identity.