First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
Dolittle could have done a lot more
Movie review: Dolittle
Robert Downey Jr. dons Victorian garb and a Welsh accent for his turn as a dotty vet with a particular gift in this grim take on a kid-lit classic that lacks authenticity, despite the realistic creatures.
Bad Boys for Life suffers from ED – excitement deficiency
Movie Review: Bad Boys for Life
Bad Boys proved movie formula could transcend all demographic boundaries while establishing the career of Michael Bay, but a quarter century hence, not even the combined charisma of Will Smith and Martin Lawrence can salvage the bore and gore of a tired reboot.
Review: Ford v Ferrari restores Le Mans lore
Movie review: Ford v Ferrari
Director James Mangold creates a powerful dramatic engine with Christian Bale and Matt Damon as twin pistons in a turbo-diesel, bringing a dependable, constant chug of power that just keeps combusting in the analog-inspired Ford v Ferrari.
Review: Midway torpedoes MAGA hat hate
Movie review: Midway
Roland Emmerich shows uncharacteristic restraint in his ode to the Battle of Midway, an against-all-odds story of courage and bravery that truly made America “great."
Review: Before You Know It finds new edge to family dysfunction
Movie Review: Before You Know It
Soap opera star Judith Light plays to her strengths as an actress who gave up her two daughters to pursue her career, only to be reunited as an awkward family in later life. Director, actor and co-writer Hannah Pearl Utt finds a female way of communicating -- wrapped in apology and accusation -- that gives the unconvincing plot a jolt of novelty that serves the larger purpose.