Movie review: Wonka offers golden ticket to pure happiness
Movie review: Wonka
Paul King, the director behind the warm and fuzzy Paddington movies, stretches a strong arm into the cauldron of modern chaos and pulls out a sweet, magical treat of a movie that affirms the power of a pure heart.
The White House shines again in The Way I See It
What’s On October 16, 2020
The Way I See It is a must-see view at the White House through the lens of official photographer Pete Souza, I Am Greta goes on an epic journey to save the world, and Aaron Sorkin's Trial of the Chicago 7 fails to find a West Wing moment.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
The Goldfinch fails to adapt but Donna Tartt’s DNA survives
Movies: #TIFF19 - The Goldfinch
The Pulitzer Prize-winning novel about survival divided audiences in print form as it fragmented in the final act. John Crowley’s visually satisfying, but dramatically disappointing, movie version falls prey to the same problems in its bid to fit too much into the frame.
Five Feet Apart: Teen love tropes and a cruel twist of phage
Movie review: Five Feet Apart
Haley Lu Richardson and Cole Sprouse play cystic fibrosis patients forced to stay at a safe distance, yet ultimately sacrifice everything to satisfy their breathless love. It’s a run-of-the-mill millennial teen romance, but proves the next generation isn’t living in denial when it comes to death.
Isn’t It Romantic? feels like a rhetorical question
Movie review: Isn’t It Romantic?
Rebel Wilson leads a revolutionary effort through the red taffeta jungle of rom-coms, but fails to topple the upper tier of icing-covered couple expectations. And that’s probably just the way we want it. “Somewhere deep down, we crave a fairy tale ending for a relatable character — just as we do for ourselves,” writes movie critic Katherine Monk.