True Story proves believably boring
Movie review: True Story
Self-absorbed characters desperate for ego redemption keep audience at arm's length from new Jonah Hill-James Franco mystery, writes Katherine Monk
Monkey Kingdom mimics Disney magic
Movie Review: Monkey Kingdom
Spending time with a troop of macaques in new Disney Nature doc offers a hairy reflection of the human condition, made comedy by Tina Fey
Rod Mickleburgh has a Burroughs flashback
The Beats go on in North Vancouver: Presentation House Gallery mounts visual chronicle of the era as witnessed by Allen Ginsberg
By Rod Mickleburgh
I met William Burroughs once. It was during my magical year in Paris (sigh). I’d read in Libération that morning that the legendary icon of the Beats would be at the City of Light’s annual Salon du Livre at the Grand Palais. I thought ‘what the hell’, and went down to catch a glimpse of the famous man, who had been such a part of the Kerouac/Ginsberg Beat generation of writers.
In On the Road, the book that changed my life, Burroughs appears as Old Bull Lee. An insatiable consumer of drugs, Burroughs fatally shot his wife during a crazed William Tell re-enactment in Mexico, hung out in Tangiers where the less said about his proclivity for underage boys the better, and found time to write such underground classics as Junkie and Naked Lunch, turned into a movie by the strange David Cronenberg. (My parents ...
Michael Douglas talks Beyond the Reach
Veteran actor and producer Michael Douglas teams up with rising British star Jeremy Irvine in what feels like a live-action version of Road Runner, Beyond the Reach
By Katherine Monk
TORONTO – It manifested instantly, a dust devil rising from the feet of Michael Douglas’s Italian loafers and swirling through Jeremy Irvine’s feathery mop of sandy blond hair: A howling acknowledgement of Hollywood’s discriminatory practices when it comes to weight and overall body image.
“A lot of actors are told they need to lose weight, or change their body. I was talking to Channing Tatum just recently and asked him why he was just drinking water, and he said it was because he had to go to the gym in two hours,” says Irvine, the young British actor who hit the radar in Steven Spielberg’s War Horse and now stars opposite Douglas in the new film, Beyond the Reach, currently playing in select theatres and available on-demand.
A cat-and-mouse thriller ...
@Home releases for April 14
The Babadook raises goosebumps, Big Eyes surprises and Escobar blows eye candy but Woman In Black 2 proves dimmest DVD/VOD release of the week.
The Babadook (2014)
Starring: Essie Davis, Noah Wiseman, Daniel Henshall, Tim Purcell. Directed by: Jennifer Kent. Running time: 93 minutes.
Four stars out of five
One of the sharper arrows in the new quiver of shiver directors, Jennifer Kent makes an impressive debut with this perfectly phrased piece of psychological horror that pits a mother and son against a supernatural force. It begins with young Samuel (Noah Wiseman) suffering from night terrors. The kid is convinced there’s a monster under his bed, but every time his exhausted mother takes a peek under the mattress in the hopes of comforting him, she sees nothing. Yet, Samuel’s visions only grow worse, leaving poor Amelia (Essie Davis) emotionally frayed and completely sleep-deprived. Kent forces us to feel her exhaustion in every queasy close-up and every ...
PROFILE: Garth Drabinsky
GARTH DRABINSKY
Born 1948, Toronto
Few Canadians have simultaneously inspired as much awe, admiration, skepticism, sycophancy and disgust as Garth Drabinsky -- the high-flying entrepreneur behind the joystick of such dazzling, daredevil crashes as Cineplex and Livent. Love him or hate him, you have to hand it to the man for not only building an empire from the ground up, but doing it twice -- if not more (surely, the man will make another return to the limelight he loves so much) -- and flying the Maple Leaf in the face of star-spangled suits at every turn.
On paper, Drabinsky created the two the largest entertainment companies this country has ever seen, only to lose them both to American interests. Determined to play the same game of self-creation cemented into American consciousness via Hollywood’s marketing of the “American Dream” -- to the point where he even took it upon himself to produce the American classic, E.L. Doctorow’s Ragtime, on Broadway-- Drabinsky ...
Ai WeiWei: the unapologetic revolutionary
Vancouver Biennale
Ai WeiWei Film Retrospective
Never Sorry, The Fake Case
April 13, 20, 26, Rio Theatre, 6 p.m.
By Katherine Monk
In the wake of the Charlie Hebdo massacre and subsequent mass rallies in the name of free expression, it would seem the artist’s role in society has never been more at risk. Then again, none of us lived through The Spanish Inquisition. Or, for that matter, has any real recollection of the black suit soap opera called the House Un-American Activities Committee.
Artists have a habit of winding up in the crosshairs of history because if they’re any good, they make us question the world we take for granted and see anew. “A revolution in form is a revolution in essences,” said Jose Marti, the Cuban poet, novelist and political activist immortalized in Guantanamera, a song made popular by famed protest singer Pete Seeger.
Marti’s words apply just as readily to art as it does to politics, and society as a ...
Da Vinci’s Demons takes a classical approach to MacGyver
DA VINCI’S DEMONS: SEASON TWO (Starz/BBC TV Series, 2014)
Starring: Tom Riley, Laura Haddock, Elliot Cowan, Gregg Chillin, Eros Vlahos
Creator: David S. Goyer
Three Stars out of Five
Combining elements of The Young Indiana Jones, the Da Vinci Code and MacGyver, this series created by David S. Goyer has so many great ideas to work with, it has a hard time focusing on a single one. Not that it really matters all that much, because half the fun of watching this period series is testing your own knowledge of Leonoardo’s achievements. From flying machines to advances in medicine, Da Vinci was more than the famed painter of the Mona Lisa and this series delights in showcasing the genius’s creative legacy. Best of all, it does so using standard TV tropes. In other words, we end up watching Da Vinci (Tom Riley) face one dilemma after another as the warring Pazzi and Medici families jockey for power and status behind the back of the Catholic Church. Fortunately, he’s a ...
