year : 2017 114 results
3Score

Murders More Than it Can Chew Chew

Review: Murder on the Orient Express Murder on the Orient Express remake pulls out of the station in fine style, only to get stuck in a blustery snow drift of Kenneth Branagh closeups and an avalanche of wasted A-list talent  
4Score

Three Billboards Boasts Three Oscar-worthy Performances

Movie review: Three Billboards Outside Ebbing, Missouri Martin McDonagh offers an ode to the rustbelt with his story of grief and loss in the fictional town of Ebbing, where the American Dream rolled out with the tide and left a hole six feet deep to bury hope
4Score

The Florida Project on the edges of Disney

Movie Review: The Florida Project A single mother and her precociously savvy daughter scratch out a living in a $38-a-night motel beside Disney World in this gritty look at American life near the bottom

Lauren Lee Smith Finds Power in Female Dick

Interview with Lauren Lee Smith Frankie Drake is a female crime-solver working in 1920s Toronto, but for Vancouver actor Lauren Lee Smith, the new CBC heroine played a pivotal role as personal emancipator By Katherine Monk She never thought she’d be a dick. Little girls aren’t conditioned to be assertive, let alone take control — which is exactly why Lauren Lee Smith had to say yes to Frankie Drake. A female detective working in 1920s Toronto, Frankie Drake makes her debut on the national broadcaster tonight, but Smith says the journey to bring the character of Frankie to televised fruition is a feminist odyssey. “The whole idea of a female detective working in 1921 is pretty rad,” says Smith over the phone from Toronto. “But she’s part of a larger history. She worked as a messenger during the First World War, was recruited to be a part of British Intelligence, but when someone blew her cover, she went back to Canada… and opened the first female detective ...
1.5Score

Thor: Ragnarok a Hulking, Noisy, Norse Oblivion

Movie Review -- Thor: Ragnarok Marvel Studios' latest product feels like industrial birthday cake as it overcooks A-list talent and coats the formulaic boredom in green-screen icing  
4Score

Killing of a Sacred Deer Slays Sick Joke Called Life

Movie Review: The Killing of a Sacred Deer Yorgos Lanthimos rewrites Greek tragedy for a modern fit by forcing the audience to ponder the bargains we strike to separate heart and mind

What The Knuckler? Pitching for Dummies… and Brian Doyle

Sports: Baseball When everything about baseball is new, having a knowledgeable buddy to help you get a grip on balls, strikes and four-seam fastballs can be more fun than shagging a can of corn (The following is part of a continuing correspondence between Charley Gordon, journalist and veteran baseball fan, and Brian Doyle, author of Young Adult fiction and newly minted follower of the boys of summer.)   May 3, 2016 Dear Dr. Gordon: I have a friend who has been a baseball fan for 70 years. I am, as you know, a neophyte baseball watcher. My friend (let's call him "Mike") has a superior attitude and is sneeringly patronizing when it comes to baseball comments. I fear, when I come out of the closet, he is going to dismiss and even scoff  at any observation I might make about the game. I want to say something about knuckle ball pitchers in general and R.A. Dickey in particular. I want my comment to sound sensible and mature and reasonable and I want it to ...
3.5Score

Goodbye Christopher Robin, Hello Heartbreaker

Movie Review: Goodbye Christopher Robin Simon Curtis takes us back to 100 Acre Wood where we can explore the semi-melancholy landscape that gave birth to A.A. Milne's Winnie-the-Pooh and a particularly troubled father-son relationship
4Score

Columbus Is Like Waltzing to Light

#VIFF17 Movie Review - Columbus Director Kogonada creates an unassuming art film that frames the details of the human condition against a backdrop of midcentury architectural masterpieces
3.5Score

No Light, But Lots of Thrills At the End of the Tunnel

#VIFF17 Capsule Movie Review - At the End of the Tunnel Director Rodrigo Grande and lead actor Leonardo Sbaraglia strip Hitchcock down to the studs in this clever thriller that throws the viewer down a moral staircase