Knives Out hides a pointed satire beneath cloak of mystery
Movie review: Knives Out
The director behind Brick, Looper and the Last Jedi plays a clever trick on Agatha Christie cliché by framing a murder mystery as morality play that examines the corpse of the patriarchy, and the idea of inherited privilege.
Chris Buck was on the verge of quitting, then he won an Oscar
Interview with Chris Buck, co-diretor of Frozen
The Kansas-born director was finishing Frozen when tragedy struck in 2013. "I was ready to kind of say: Cartoons are a joke. Why am I doing this?” Yet, in persevering he found purpose, and a deep belief he was put on this planet for a reason: “to bring hope and inspiration.”
Review: Ford v Ferrari restores Le Mans lore
Movie review: Ford v Ferrari
Director James Mangold creates a powerful dramatic engine with Christian Bale and Matt Damon as twin pistons in a turbo-diesel, bringing a dependable, constant chug of power that just keeps combusting in the analog-inspired Ford v Ferrari.
Review: Midway torpedoes MAGA hat hate
Movie review: Midway
Roland Emmerich shows uncharacteristic restraint in his ode to the Battle of Midway, an against-all-odds story of courage and bravery that truly made America “great."
Movie review: The Lighthouse
Two men arrive on a lonely island to run the lighthouse in this psychological horror story that will have you researching its secrets
Western Stars finds the Boss in the middle of the road
Movie Review: Western Stars
Bruce Springsteen decided not to tour for his latest album that pays homage to the American frontier, so he made a live performance documentary featuring archival footage, personal vignettes, and an entire string section that bows a new appreciation for easy listening.
Review: Before You Know It finds new edge to family dysfunction
Movie Review: Before You Know It
Soap opera star Judith Light plays to her strengths as an actress who gave up her two daughters to pursue her career, only to be reunited as an awkward family in later life. Director, actor and co-writer Hannah Pearl Utt finds a female way of communicating -- wrapped in apology and accusation -- that gives the unconvincing plot a jolt of novelty that serves the larger purpose.
