2.5Score

Movie review: Terminator Genysis back in time

The sci-fi epic returns with a new episode that borrows pieces of the old episodes to create a time-travel adventure that's mostly a waste of two hours    

Rod Mickleburgh toasts Canada Day with a sonic brewski, eh?

Crank up the Clairtone and celebrate Canada's birthday with a selection of songs curated by a discerning music lover indulging his many shades of plaid By Rod Mickleburgh Well, hello there, Canada. Another birthday, eh? Dominion Day is my favourite holiday of the year, a time for us all to set aside those petty differences over just about everything the you-know-who gang does in Ottawa, and celebrate being Canadian. My Canada includes a Prime Minister who loves hockey and gets excited about finding Franklin’s ships up north. It doesn’t include an ugly monument to “victims of communism” beside the Supreme Court of Canada, nor a massive Mother Canada statue scarring Cape Breton’s beautiful Highlands National Park, nor…(fill in 50 blanks here)….but never mind. Happy Dominion Day! What’s that? It’s now called Canada Day, you say? Pity! I usually celebrate Canada Day with a list of good old songs that best exemplify the spirit, history, beauty and character of this ...

Director trades quick-draws for Slow West

First-time feature director John Maclean takes on western archetype and the core ideals of the American ethos in Slow West, his Sundance-winning feature starring Michael Fassbender and Kodi Smit-McPhee By Katherine Monk It's a genre marked by star-shaped badges and John Wayne’s lanky swagger, an optimistic ode to masculine heroes and horses. Yet, for all the fanatical affection lathered on westerns as a fundamental part of the American identity, historically speaking, most westerns are horse manure. It’s a point John Maclean isn’t all that eager to assert right off the top, given he’s a Scotsman and his debut feature, Slow West, takes the viewer straight back to the open prairie and the romantic vistas revealed in early John Ford movies. “Being Scottish, and tackling such a sacred American genre certainly crossed my mind the first time I watched it with an audience in the U.S.,” says Maclean, shortly after the film’s world premiere at the Sundance film festival, ...
4Score

Movie review: Slow West throws an axe at western genre

John Maclean's feature debut offers a crisp, revisionist take on the romantic notion of the Old West thanks to the oddball chemistry between leads Michael Fassbender and Kodi Smit-McPhee, writes Katherine Monk
4Score

Movie review: Max bites emotional jugular

Though littered with sentiment and family movie hokum, this story of a military dog suffering from post-traumatic stress finds the essence of true friendship, prompting uncontrolled saline leaks from the eyeball, writes Katherine Monk     -30-
2Score

Movie review: Ted 2 is an exhausting series of comic misfires

Sequel to the movie about a crude, dope-smoking teddy bear just a wearying retread of the 2012 hit, writes Jay Stone

Journalists aren’t the trouble with journalism…

But their bosses aren't doing much to help the profession's credibility in the face of increasingly desperate financial woes By Charley Gordon There is a sudden push on to convince the public that journalism is a good thing. You can understand why. It has to do with journalists who become senators. It has to do with CBC hosts and art dealers. Some media organizations, including both union and management, have started an advertising campaign called JournalismIs to help the Canadian public become aware of how important journalism is. Full-page ads, featuring the enlarged half-tone faces of prominent journalists have been showing up in newspapers, with cautionary messages. “With a few keystrokes you can sample thousands of opinions, afloat in a sea of information,” says one. “But as the volume increases, the accuracy and reliability of professional journalism is essential. Gathering and sorting the facts, weighing and interpreting events, and following the story from ...

Lest we forget the labour that birthed a province

Official school curriculum ignores the blood-stained history of organized labour, so Rod Mickleburgh offers a refresher on two violent events that unfolded on the waterfront By Rod Mickleburgh VANCOUVER - There were some grim remembrances last week for those dwindling few of us who consider the past travails of unions and workers worth preserving as part of our collective heritage. Their struggles and tragedies are as dramatic as history gets. Yet they claim very little place in what students are taught about the province’s history. We are getting better at changing history from just what dead white guys did long ago, even if I sometimes fear we de-emphasize these events a little too much in our schools. They did shape this country, and we should know about them. While John A. Macdonald, for instance, did some bad things (Louis Riel, treatment of First Nations, etc.), without his vision, strength of character and political acumen, parts of Canada might long ago have been ...

Home releases: What’s streaming your way in June

Kevin Costner cocks the starter pistol, Liam Neeson runs all night, John Travolta fakes it, Colin Firth pops his brolly and Will Ferrell and Kevin Hart Get Hard -- but it's Red Army's Fetisov who scores on DVD, Blu-ray and VOD, writes Katherine Monk By Katherine Monk McFarland (2015) 3.5/5 Starring: Kevin Costner, Maria Bello, Ramiro Rodriguez, Carlos Pratts, Johnny Ortiz, Morgan Saylor. Directed by Niki Caro. Running time:  129 minutes. Parental Guidance. In sports movies, cliché comes on the side – like coleslaw. You don’t ask for it, and you may not even like it, but there it is: a little white paper cup filled with shredded cabbage, a silent affirmation that you got what you paid for. The coleslaw in McFarland is the idea of the underdog competitor, in this case, a group of Latino high school students in southern California. Jim White (Kevin Costner) used to coach football at a school for privileged white kids, but after he loses his temper, he’s fired ...

Snow White and the seven emotions

Inside Out is the story of an 11-year-old girl's emotions. But almost 80 years ago, Disney had another movie that looked at feelings in a similar way     By Jay Stone   The near universal praise for the Pixar film Inside Out (98 per cent and counting on Rotten Tomatoes, and the demurrals seem pro forma) are partly due to the very audacity of the idea. This is an animated film about the emotions of an 11-year-old girl named Riley: how Joy, Fear, Anger, Disgust and Sadness work together — or sometimes at odds — to form a human personality in flux.   It arrives as a Disney film without a villain and without a princess (although, parenthetically, even the most mundane marketing department — and Disney’s is far from that — should find many opportunities for toys, dolls and other associated merchandise. One fully expects to see hordes of little Angers and Joys trooping to the house next Halloween.)   However, that’s the least of ...