The Wide River of Gordon Pinsent’s Dreams
Movie Review: The River of My Dreams
Documentary about the Canadian actor captures much of his impish charm, but it leaves many questions unanswered about what really makes him tick
Paterson finds poetry in the everyday
Movie Review: Paterson
In Jim Jarmusch's new film, a bus driver named Paterson who lives in Paterson, N.J. — hometown of William Carlos Williams and Alan Ginsberg — sees life as gentle verse
Split is divided against itself
Movie review: Split
M. Night Shyamalan's latest adventure in psychological horror — about a kidnapper with 23 different personae living inside him — is itself a victim of a split personality disorder
Split fuses silly with sloppy
Movie review: Split
James McAvoy's over-the-top performance as a man with multiple personalities lends M. Night Shyamalan's tediously self-conscious thriller a hint of fun
Julieta is a thing of beauty
Movie review: Julieta
Pedro Almodóvar's 20th feature film finds female beauty deep within the creases of profound loss as we watch two women bear the burden of being Julieta
Hidden Figures exposes institutional racism
Movie Review: Hidden Figures
Theodore Melfi's quest for the stars has all the rights cogs and gears as it features Taraji P. Henson, Octavia Spencer and Janelle Monáe as mathemeticians playing a big role in the early days of NASA, but even with Kevin Costner's booster rocket, the voyage feels mechanical
La La Land is where love and art tangle
Movie review: La La Land
This musical love letter to the movie business, jazz and romance is an intoxicating throwback to the days of dancing among the stars and singing your heart out in the hopes of making it
Bringing up Babies: Top Ten movies of 2016
Movies: Top Ten 2016
Some say Donald Trump won the Presidency playing to childish insecurity and name-calling, but the annual box-office derby also proved a public appetite for adolescent entertainments. Film Critic Katherine Monk breaks down the top-ten money earners, and offers her own take on the year's best.
By Katherine Monk
(Published Jan. 2, 2017)
The political arena wasn’t the only place where childhood behaviours prevailed in 2016. Movie theatres also played to our apparent desire for less-sophisticated, over-simplified entertainments.
It was the year the Mouse House roared: The Walt Disney Company was responsible for five of the year’s top ten earners worldwide, for a record haul of $4.829 billion - just a little under half the cumulative worldwide gross of $11.3 billion.
Disney raced to the pinnacle of a relatively static box-office heap with titles that included the top-earning Captain America: Civil War ($1.153B), Finding Dory ($1.027B), Zootopia ...