Katherine Monk 359 results

Katherine Monk is a former movie critic with The Vancouver Sun and Postmedia News, as well as co-founder of The Ex-Press. She still watches a lot of movies. She can be heard talking about them on CBC Radio, and you can read what she thinks about them here, exclusively in The Ex-Press.

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Movie review: Mulan redeems Disney’s lust for remakes

Movie Review: Mulan Whale Rider director Niki Caro finds new dimensions in an ancient tale by focusing on the coming-of-age story struggling for articulation under the heavy, old armour of a man's world.  
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Tenet Movie Review: It All Depends On How You Look at It

Movie Review: Tenet Christopher Nolan looks to recapture a memento of his past in palindromic Tenet, a movie that wrestles with itself in the moment but finds meaning when you read it backward.
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Ash pulls us into the personal crucible of obsessive-compulsive disorder

Movie review: Ash Set against the backdrop of the scorched British Columbia landscape during fire season, director Andrew Huculiak pulls off the near-impossible by delivering a sympathetic portrait of Interior spaces singed by fear and loathing.

Launching a Rocket in the Living Room

DIY Column: The Apollo XIII Project A New Year’s resolution to reuse, recycle or purge was already in progress, then the pandemic happened, and what started as a creative bid to turn garbage into art suddenly morphed into a personal Apollo XIII mission: Without access to Home Depot, can you find a way to repurpose what you already have?    

Bruce McDonald gives Stephen McHattie a double-scoop of Dreamland

Movies: Interview with Canadian director Bruce McDonald McDonald’s latest film features a drug-addicted trumpet player and a jaundiced hitman on a collision course in the middle of Europe. “It’s about the journeyman and the artist,” says the director. He might as well have been talking about McHattie himself -- the Canadian character actor who sits at the heart of this “one-man two-hander.”  
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First Stripes revises bootcamp cliché with a Canadian accent

Movie Review: First Stripes Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
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Greed mauls corpulent corpse of affluence

Movie review: Greed Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.

What Elizabeth Warren Needs to Win: A Makeover

The Politics of Fashion It's a sad sexist reality, but optics and clothes matter more than anyone wants to admit. It's a lesson the TV-conscious Trump and his tummy-tuckers have mastered, and one Elizabeth Warren stands to benefit from the most if she surrenders her shapeless folksy rose upholstery for a sleek, Presidential style.  
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Sonic the Hedgehog revives cartoon soul

Movie Review: Sonic the Hedgehog James Marsden shows the movie-going public how to handle a '90s-era videogame character reborn on the big screen as a kid-friendly version of Deadpool: Just roll with it.
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The Assistant coolly dissects Weinstein scandal

Movie review: The Assistant Documentary filmmaker Kitty Green casts Julia Garner as a 20-something underling struggling to navigate a toxic work environment and a loud, bellowing boss who bullies those around him into submission. It's not a feel-good movie. It's an ode to millennial malaise.