Review: Downton Abbey’s fairy tale continues to fester
Movie Review: Downton Abbey
Julian Fellowes created a perfect little universe inside a crystal ball, then filled it with the suggestion of outside elements — a pinch of painted sand and glitter that he can agitate to conjure a snowstorm of conflict. The new feature film stays inside the gorgeous snow globe as a Royal Visit shakes up the Crawley family, and sets the stage for the next century -- as well as a continuing film franchise.
The Goldfinch fails to adapt but Donna Tartt’s DNA survives
Movies: #TIFF19 - The Goldfinch
The Pulitzer Prize-winning novel about survival divided audiences in print form as it fragmented in the final act. John Crowley’s visually satisfying, but dramatically disappointing, movie version falls prey to the same problems in its bid to fit too much into the frame.
Hustlers strips systemic sexism down to the boner
#TIFF19: Hustlers Movie Review
A team of smart pole dancers fleeced the wolves of Wall Street by exploiting their natural resources, but this female revenge story based on a New York magazine piece doesn’t grab at easy conclusions. Director Lorene Scafaria teases out the hard reality of gender inequality, one lap dance at a time.
#TIFF19 Going to the dogs, cats and bunny rabbits
Movies: #TIFF19
Animals may only occupy the frame for a few moments at at time, but their presence can define an entire character and slant audience reaction in subconscious ways. Critic Katherine Monk does a head count of the creatures great and small appearing at TIFF19.
Fascism, Feminism and the big buzz movies at TIFF19
Movies: #TIFF19
The Toronto International Film Festival is the equivalent of Christmas morning to a movie critic, and oftentimes, the most appreciated gifts are the ones in humble packages, writes critic Katherine Monk
By Katherine Monk
TORONTO — For film critics, the Toronto International Film Festival feels like waking up on Christmas morning. Pretty, promising packages bathed in sparkling light and and a tangle of reflected tinsel have arrived at the foot of the Bell Lightbox, just waiting to be torn open. They will either be loved and cherished, or completely forgotten, disposed of with the next day’s trash.
There’s no way to predict the reception, but after a few decades of scrolling through schedules, pondering publicists’ press releases, and reading between the glowing lines penned by festival programmers, you start sifting, and making lists.
The first list is always the buzz sheet: What movies are coming to the festival with some advance hype — either from ...
