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The old hacks who make The Ex-Press the glorious, old-school rag that it is.

3Score

Our Kind of Traitor is John le Carre lite

Movie Review: Our Kind of Traitor Spy adventure about an ordinary couple caught up in the world of the Russian mafia and crooked British politicians lacks the gritty atmosphere — and the plausibility — of the best espionage drama  
3Score

De Palma doc paints portrait on black velvet

Movie Review: De Palma Noah Baumbach and Jake Paltrow offer a Brian De Palma appreciation course via a talking head documentary that delves into the director's early days as an avant-garde artiste and his eventual slide into the Tinseltown tar pit  
3.5Score

The Neon Demon proves an inert gas

Movie Review: The Neon Demon Nicolas Winding Refn sinks his teeth into the skin deep world of modelling using vampire movie devices, a candy-coloured palette and Jena Malone as a predatory lesbian makeup artist -30-
3Score

Free State of Jones shackled by good intentions

Movie Review: Free State of Jones Matthew McConaughey raises a slave army and an earnest eyebrow as little-known rebel Newt Knight in director Gary Ross's well-intended Civil War drama that feels stiff in its Sunday best

Super Bowl: Vegetarian Curry Laksa

Food: Vegetarian Curry Laksa Recipe Whether it's pho, bibimbap or a bucket of ramen, a meal in a bowl offers a mysterious delight, and this recipe for Vegetarian Curry Laksa is a culinary treasure you can eat with a spoon By Louise Crosby There’s something appealing about a meal in a bowl, everything contained in one space, relaxed, easy eating. Think of the Vietnamese dish pho – fragrant broth, rice noodles, vegetables and herbs. Or Korean bibimbap – sizzling rice with meat and assorted vegetables, chili pepper paste and a raw or fried egg served on top. But wait, there’s much, much more. I just got my hands on Lukas Volger’s new (vegetarian) cookbook, simply titled Bowl, and realize that when it comes to this kind of eating, the possibilities are endless. I want to cook this entire collection but for starters settled on this Vegetarian Curry Laksa, laksa being a popular noodle dish sold at hawker stalls in Malaysia, Singapore and Indonesia. Although there are ...

Paul McCartney biography blows up Beatles lore

Book Review: Paul McCartney: The Life by Philip Norman When Philip Norman first wrote about The Beatles in his 1981 book Shout, he earned Paul's wrath by claiming John Lennon was "three-quarters" of the band, but 25 years later he sets the creative record straight by hailing Paul as the boundary-breaking Beatle
3Score

Genius strikes generic notes

Movie review: Genius Despite perfecting his gift for blending dour disdain and puppy-eyed sympathy in a single glance, Colin Firth's performance as Thomas Wolfe's editor feels cut-out  
3Score

Finding Dory, losing story

Movie Review: Finding Dory Ellen DeGeneres returns as a fish with short-term memory loss in a largely forgettable sequel to Finding Nemo -30-

Nikolaj Coster-Waldau shuns royal treatment

Interview: Susanne Bier and Nikolaj Coster-Waldau get A Second Chance He sports prosthetic golden fingers to play the role of Jaime Lannister on Game of Thrones, but Nikolaj Coster-Waldau hates getting a fake hand for any performance, which is why he's grateful for the firm grip of fellow Dane Susanne Bier By Katherine Monk TORONTO—In the opening episode of Game of Thrones, his character pushed a young boy from a window without a hint of remorse. But put a fussy newborn in Nikolaj Coster-Waldau’s arms, and the handsome Dane turns into a human pacifier. “It didn’t matter what the babies were doing… if Nikolaj picked them up, they would almost immediately fall asleep,” says director Susanne Bier, referring to the off-camera vibe on her latest film, A Second Chance (En chance til). A relatively small Danish-language drama about a police officer who makes a life-altering decision with good intentions, A Second Chance has been making a slow pass through North American ...
3Score

Movie review: Maggie’s Plan is a loopy rom-com

Indie darling Greta Gerwig plays a single woman who longs for a baby in a Rebecca Miller film that comes from the Woody Allen school of New York City angst