Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
Sonic the Hedgehog revives cartoon soul
Movie Review: Sonic the Hedgehog
James Marsden shows the movie-going public how to handle a '90s-era videogame character reborn on the big screen as a kid-friendly version of Deadpool: Just roll with it.
The Assistant coolly dissects Weinstein scandal
Movie review: The Assistant
Documentary filmmaker Kitty Green casts Julia Garner as a 20-something underling struggling to navigate a toxic work environment and a loud, bellowing boss who bullies those around him into submission. It's not a feel-good movie. It's an ode to millennial malaise.
Dolittle could have done a lot more
Movie review: Dolittle
Robert Downey Jr. dons Victorian garb and a Welsh accent for his turn as a dotty vet with a particular gift in this grim take on a kid-lit classic that lacks authenticity, despite the realistic creatures.
Bad Boys for Life suffers from ED – excitement deficiency
Movie Review: Bad Boys for Life
Bad Boys proved movie formula could transcend all demographic boundaries while establishing the career of Michael Bay, but a quarter century hence, not even the combined charisma of Will Smith and Martin Lawrence can salvage the bore and gore of a tired reboot.
Knives Out hides a pointed satire beneath cloak of mystery
Movie review: Knives Out
The director behind Brick, Looper and the Last Jedi plays a clever trick on Agatha Christie cliché by framing a murder mystery as morality play that examines the corpse of the patriarchy, and the idea of inherited privilege.
Review: Ford v Ferrari restores Le Mans lore
Movie review: Ford v Ferrari
Director James Mangold creates a powerful dramatic engine with Christian Bale and Matt Damon as twin pistons in a turbo-diesel, bringing a dependable, constant chug of power that just keeps combusting in the analog-inspired Ford v Ferrari.
