The Dead Don’t Die Doesn’t End Well
Movie review: The Dead Don’t Die
Jim Jarmusch’s send-up of horror tropes feels like a basic lesson in what zombie movies symbolize — a cultural descent into empty consumerism and brain-devouring distractions -- but little more.
Secret Life of Pets 2 regurgitates comic hairballs
Movie review: The Secret Life of Pets 2
Like its predecessor, The Secret Life of Pets 2 proves the people at Illumination Animation pay attention to animal behaviour. So if this collection feels more like a random string of events pulled from strange places, we can find a way to forgive the mess, and love it anyway.
Rocketman showers glitter on Elton John’s glorious whole
Movie Review: Rocketman
Director Dexter Fletcher swallows some of the uglier truths about the arena rock sensation that defined the 1970s in an entertaining spectacle that brings real feeling to what many considered a pop music sausage factory.
Aladdin’s magic remains, but we could always wish for more
Movie Review: Aladdin
Director Guy Ritchie brings the animated classic to life with a greasy edge, some updated songs and a knack for action. He even succeeds at turning the magic carpet into a tightly-knotted character that steals every scene with its manta like moves and sassy tassels. It’s only when the movie stands still long enough that we start to notice a strange lack of dramatic tension.
Booksmart turns the page on teen girl stereotypes
Movie Review: Booksmart
Olivia Wilde’s feature debut looks at coming-of-age formula through a distinctly female lens, where acceptance and affirmation don’t rely on stunts or smashing a beer can into your forehead -- but the enduring loyalty of a best friend.
Kristen Stewart courts a world of vampires in JT Leroy
Movie Review: JT Leroy
Director Justin Kelly stands knee-deep in a stinky literary scandal to sift through worthy bits of narrative, and muck out a good story about a writer who found her voice through a gay, male prostitute -- then convinced her sister-in-law to play along.
