Florence Pugh 4 results
3Score

Movie review: Oppenheimer fails to trigger emotional chain reaction

Movie review: Oppenheimer Director and writer Christopher Nolan puts Cillian Murphy in the middle of a chaotic narrative in the hopes of harnessing the creative power of Robert J. Oppenheimer. The movie is packed with style and period inflections, but ends up an emotional dud.
4 Score

Little Women bleeds period drama without cramping

Movie Review: Little Women Greta Gerwig brings her own drum to the March family saga, and miraculously, she finds new beats in Louisa May Alcott's 150-year-old American bestseller.  
3.5Score

Outlaw King reimagines tribal history, bares Pine’s parts

New on Netflix/Movie Review: Outlaw King Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.

William Oldroyd Finds Lady Macbeth’s Spot

Movies: Interview with Lady Macbeth director William Oldroyd Lady Macbeth is riding a wave of feminist revisionism that emerged with Margaret Atwood's The Penelopiad and crests with the forthcoming Ophelia, but director William Oldroyd says more women's stories should be told. Not just because they're full of drama. But female actors are available. They're better. They're also cheaper. By Katherine Monk In 1865, an author by the name of Nikolai Leskov picked up on something his contemporaries were doing. He revised Shakespearean drama for a Russian audience, playing with context but keeping the core of the character intact. Ivan Turgenev offered up Hamlet of the Shchigrovsky District in 1859, and Leskov published Lady Macbeth of the Mtsensk District — a bodice-ripping, bed-post gripping romance featuring a young woman in a loveless marriage. A century and a half later, we can see a similar trend emerging as filmmakers once more revamp Shakespeare, as well as other classics, ...