Small Wins, Big Tanks: Top Ten Movies of 2017
Movies: Top Ten Films of 2017
Film critic Katherine Monk looks back on a year without frontrunners or favourites, making 2017's top choices a truly personal matter with I, Tonya, Icarus and Wonder Woman landing on the podium, and plenty of other worthy contenders in the race.
By Katherine Monk
It seems the President and Harvey Weinstein eclipsed the klieg lights of the entertainment world: There is no artistic standout, nor crowd-pleasing frontrunner in the race for this year’s movie laurels as the recent Golden Globe ceremony proved.
The five major awards were handed out to four films. No Moonlight. No Lala Land. Not even a Hidden Figures. The year 2017 will be remembered for the last-minute resuscitation at the box-office thanks to Star Wars’s enduring shock paddles, pulling a loser year into so-so territory in the home stretch with more than half a billion in receipts for The Last Jedi.
Nonetheless, revenues were down 2.7 per cent ($11 billion US) over 2016’s ...
Three Billboards Boasts Three Oscar-worthy Performances
Movie review: Three Billboards Outside Ebbing, Missouri
Martin McDonagh offers an ode to the rustbelt with his story of grief and loss in the fictional town of Ebbing, where the American Dream rolled out with the tide and left a hole six feet deep to bury hope
Olive Kitteridge: HBO miniseries showcases McDormand’s killer sardonic skills
OLIVE KITTERIDGE (2014, HBO Miniseries) Starring: Frances McDormand, Richard Jenkins, Bill Murray. Directed by: Lisa Cholodenko.
Three and a half stars out of five
Watching Frances McDormand’s face is a bit like reading a great Victorian novel. She may be giving us a straightforward chunk of dialogue, but beneath the surface, an entirely different narrative is taking place. Beneath every wrinkle lies a wealth of understated passions, existential awareness and razor-sharp wit that brings emotional currency to every role, including her turn as Olive Kitteridge, the central character in Elizabeth Strout’s 2008 novel. Reunited with her Laurel Canyon director Lisa Cholodenko, McDormand takes this story of a smart, but calloused schoolteacher to the very edge of melodrama without losing her balance, which is probably the miniseries’ biggest victory because its very structure screams soap opera. With Richard Jenkins and Bill Murray sharing the frames, we get a little breathing ...