Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
Youth ages the viewer via affectation
Movie review: Youth
Paolo Sorrentino's follow-up to The Great Beauty feels like opera sung in English: Pretentious, puffy and frequently plain stupid
