Pet Sematary resurrects the fear of fur
Movie review: Pet Sematary
Stephen King’s classic gets a horror makeover that keeps asking the same unholy question: How far would we go to bring back a dead loved one?
Halloween gets all dressed up as the original but has nowhere to go
Movie review: Halloween
David Gordon Green’s ambitious reset of the Halloween franchise showcases a badass Jamie Lee Curtis as trauma survivor Laurie Strode, but for some stupid reason, fails to exploit the post-menopausal character with an axe to grind and a villain to kill.
Goosebumps 2 almost too scary
Movie review: Goosebumps 2 - Haunted Halloween
Jack Black returns as R.L. Stine and turns Goosebumps’ Haunted Halloween into a meta horror movie for young adults, but with an evil ventriloquist dummy as the villain and a scene that compromises Mom’s goodness, even grown-ups may get the shivers.
Unsane Gets Under the Membrane
Movie review: Unsane
Steven Soderbergh brings a fisheye lens and a personality experiment to a thriller set in a psychiatric centre, where Claire Foy checks her crown for a hospital gown as Sawyer Valentini, an unwilling patient who believes her stalker is to blame.
47 Meters Down Too Shallow
Movie review: 47 Meters Down
Mandy Moore and Claire Holt play potential shark chum in another girl-versus-shark showdown that makes us care more about sharks than selfie-obsessed humans
Movie Review: The Mummy
Tom Cruise tosses himself across the screen as a treasure-hunting soldier who stumbles into a cursed sarcophagus carrying an ancient queen with a score to settle
Ed Gass-Donnelly hides a message up his sleeve
#VIFF16: Interview with Ed Gass-Donnelly
The Toronto-based director takes a pry bar to the basement door of family secrets in Lavender, a psychological thriller starring Abbie Cornish, Dermot Mulroney and Justin Long
By Katherine Monk
VANCOUVER – The man who made The Last Exorcism Part II is marked. Ed Gass-Donnelly rolls up his right sleeve in the firelight, and reveals two words written in deep indigo capital letters: “Find Beauty.”
“I’m not doing this to pay the bills,” says the Toronto-born director of Lavender, a psychological thriller unspooling at the Vancouver International Film Festival this week as part of the Altered States program.
“I have to remind myself of that… after making [The Last Exorcism Part II] I think I found new perspective,” he says, sitting back in a leather couch at the Sutton Place lounge.
“I appreciated the experience of coming out on 3000 screens. It was like ‘WOW!’ – 3000 screens at once is what you ...