Interview 33 results

Keith Behrman makes a Giant Little leap into the moment

Interview/ Canadian Film: Keith Behrman on Giant Little Ones The Vancouver director seemed to vanish from the face of Canadian film after his feature debut. But 16 years later, Keith Behrman is back with Giant Little Ones, a coming-of-age story that gently pulls back the curtain on the delicate question of sexual identity.

How Bao’s house of women brought new dimensions to Pixar animation

#OscarCheck2018 Interview - Bao Filmmakers Domee Shi and Becky Nieman-Cobb The Oscar nominations come out January 22 and Canadian director Domee Shi is already on the shortlist with Bao. She can’t talk about the Academy Awards, but the Toronto-raised animator says just making the short at Pixar feels like a victory.

Benson Shum brings joy to Disney destroyer

Interview: Benson Shum He grew up sketching trees in Stanley Park, now the Vancouver animator is breathing life into the pixels behind Ralph Breaks the Internet, the latest adventure for two arcade characters learning to console each other.

Tim Wardle’s life changed at the hands of Three Identical Strangers

People: Interview with documentary director Tim Wardle When he first heard the story of triplets separated at birth and placed in different families, British director Tim Wardle knew it should be a movie. He didn’t know others had tried, and hit a wall of orchestrated silence. His new documentary takes us inside a secret ‘Twin Study’ and the shocking experience of three unwitting subjects.

Pixar’s Ted Mathot Talks Technology, Education, Incredibles’ Design

Interview: Ted Mathot The talented artist says working under the wing of Oscar-winner Brad Bird helped him make the big leap from storyboard artist on The Simpsons to story supervisor on The Incredibles 2. But this could just be the beginning for the Boston native. Now a fledgling graphic novelist, Mathot's own stories seem poised to fly.

Mina Shum Gets Her Freaky Friday On

Interview: Mina Shum The Vancouver filmmaker always wanted to make a movie about how she and her mother are so different, and in her new movie Meditation Park, she reunites with Sandra Oh to make it happen. By Katherine Monk VANCOUVER — Mina Shum says she's trying to be “a good Chinese daughter.” After a greeting at the door of the hotel suite, she ushers me to a seat, and checks to make sure the publicist is comfortable. The place is all too generic for a talk about the particular. With its creamy white walls and bleached white linens, the hotel room overlooking Vancouver’s downtown skyline is all postcard pretty, displaying snow-capped mountains and green-patina copper rooftops. Shum says she loves every corner of this coastal town, but her new movie Meditation Park is looking at a different view of the city she calls home. Set in the Eastside neighbourhood of Sunrise-Hastings, and focused on one family’s love-laden unravelling, Meditation Park stars Asian heavywe...

Kathleen Hepburn Takes a Metaphorical Skinny Dip

Interview: Kathleen Hepburn The first-time feature director went back to the family cabin in northern B.C. -- and deep into the wilderness of mother-child dynamics -- in Never Steady, Never Still

Fellipe Barbosa Follows Dead Friend’s Footsteps on the Mountain

Interview: Fellipe Barbosa Gabriel and the Mountain tells the story of Gabriel Buchmann, a 28-year-old Fulbright scholar who perished on Mulanje Mountain in Malawi in 2009. Former classmate and Brazilian filmmaker Fellipe Barbosa says he didn't want to make an ode to his old friend, but an honest account of his beautiful contradictions. By Katherine Monk VANCOUVER, BC — Fellipe Barbosa’s first memory of Gabriel Buchmann was as a seven-year-old, studying at an all-boys Catholic school in Rio de Janeiro. “He was looking at me from a distance. He was very observant. He would study emotions. He was more shy, then.” Barbosa hesitates. “Eventually… I went to the U.S. to study film at the age of 19, and we lost touch.” They would never have the chance to reconnect in the flesh. Buchmann died of exposure climbing Mulanje Mountain in Malawi in 2009. His tragic death became a headline that captured the hearts and minds of Brazilians: A Fulbright Scholar heads to Africa in ...

Mike White Updates Status Consciousness

Movies: TIFF17 The writer-director of Brad's Status is an indie darling, but he says he still wrestles with insecurity and ego issues because we live in a world of false comparisons By Katherine Monk TORONTO — “I think you have your epiphany, and then you forget about it,” says Mike White. “Then you remember it again. And you forget it again. It’s like you are inching toward wisdom. Or circling the drain.” White seems to be doing all of the above, all the time, because his mind seems to radiate ideas. He creates tangent lines mid-sentence, leaving orbit, only to fall back to earth, chained by the full force of gravity. It’s his ability to levitate and fall with giddy aplomb that makes his voice so unique and his characters so memorable, whether it’s Selma Hayek as massage therapist and healer in Beatriz at Dinner, Laura Dern as a recovering executive experimenting with faith in Enlightened, or the entirely childlike Chuck, from the indie landmark Chuck & ...

William Oldroyd Finds Lady Macbeth’s Spot

Movies: Interview with Lady Macbeth director William Oldroyd Lady Macbeth is riding a wave of feminist revisionism that emerged with Margaret Atwood's The Penelopiad and crests with the forthcoming Ophelia, but director William Oldroyd says more women's stories should be told. Not just because they're full of drama. But female actors are available. They're better. They're also cheaper. By Katherine Monk In 1865, an author by the name of Nikolai Leskov picked up on something his contemporaries were doing. He revised Shakespearean drama for a Russian audience, playing with context but keeping the core of the character intact. Ivan Turgenev offered up Hamlet of the Shchigrovsky District in 1859, and Leskov published Lady Macbeth of the Mtsensk District — a bodice-ripping, bed-post gripping romance featuring a young woman in a loveless marriage. A century and a half later, we can see a similar trend emerging as filmmakers once more revamp Shakespeare, as well as other classics, ...