Katherine Monk 342 results
2Score

Review: Once Upon a Time in Hollywood…

Movies: Once Upon a Time in Hollywood Quentin Tarantino cements his brand into every boring, bloody frame of his latest picture, which frames a Brad Pitt-Leonardo DiCaprio buddy story against the backdrop of the Manson murders. Critic Katherine Monk says the acting is heroic, but the movie is just plain bad.

Tracy Edwards Still Breaking the Waves

Interview: Tracy Edwards on the documentary Maiden Of course she’d rather be sailing, but the woman who charted a winning course in world class yachting says the real victory has been watching a new generation of women ride the winds of change without fear. Tracy Edwards chats with Katherine Monk about lingering anxieties, navigating the shoals of sexism, and Alex Holmes’s new documentary, Maiden, chronicling Edwards and her all-female crew as they surfed over the ambient obstacles, and made history in the Whitbread Round the World Race in 1989.
3.5Score

The Art of Self-Defense kicks with fists while crunching numbers

Movie Review: The Art of Self-Defense Director Riley Stearns bares some surprising truths in a predictable revenge story that evolves into a forensic audit of the masculine identity as Jesse Eisenberg plays a meek accountant who helps a karate instructor reconcile the books.
3.5Score

Spider-Man Far From Home — with excess baggage

Movie Review: Spider-Man Far From Home The web-slinger gets sticky in a whole new set of places in a so-so sequel that finds a sweet spot in the unspoken codes of masculinity, and what it means to be Spider-Man and awkward teen, Peter Parker, simultaneously.
3.5Score

Late Night digests systemic sexism, spews it out in Technicolor yawn

Movie Review: Late Night Mindy Kaling creates a scrapbook of comic experience about what it’s like to be a feminist pioneer in a male-dominated environment and miraculously finds humour where a tough nugget of tragedy persists.
3Score

Shaft changes generational gears as millennial meets classic MOFO

Movie Review: Shaft Who’s the black private dick that’s a sex magnet to all the chicks? You’re damn right. It’s Shaft, a manufactured icon that’s organically adapting to the times, and reflecting an African-American identity in the midst of transition.

The Dead Don’t Die Doesn’t End Well

Movie review: The Dead Don’t Die Jim Jarmusch’s send-up of horror tropes feels like a basic lesson in what zombie movies symbolize — a cultural descent into empty consumerism and brain-devouring distractions -- but little more.
3.5Score

Dark Phoenix destined to split audiences as much as it splits character

Movie Review: Dark Phoenix Simon Kinberg reignites Dark Phoenix with an emotional match that strikes gritty issues, and challenges superhero stereotypes by featuring a morally conflicted, and ultra-powerful, woman in the lead. No wonder the fan boys hate it so much.
2.5Score

Secret Life of Pets 2 regurgitates comic hairballs

Movie review: The Secret Life of Pets 2 Like its predecessor, The Secret Life of Pets 2 proves the people at Illumination Animation pay attention to animal behaviour. So if this collection feels more like a random string of events pulled from strange places, we can find a way to forgive the mess, and love it anyway.
4Score

Rocketman showers glitter on Elton John’s glorious whole

Movie Review: Rocketman Director Dexter Fletcher swallows some of the uglier truths about the arena rock sensation that defined the 1970s in an entertaining spectacle that brings real feeling to what many considered a pop music sausage factory.