Photography 3 results

Mourning the golden age of journalism and the magic of random encounters

Tribute: Ward Perrin Before media outlets became boutiques for different brands of thought and billionaires seeking ego affirmation, newsrooms were a place where friendships were born from shared professional purpose, and a gut need to get the story. Katherine Monk looks back on a newsroom shift when the world changed overnight, and a friendship was born from the tatters of the Iron Curtain. By Katherine Monk It’s mourning. In America. Again. I’m not just referring to the most recent mass shootings that left shell casings and broken lives in Nevada, or the broad swath of destruction left by apocalyptic weather patterns in the Midwest. I speak of the profound sense of loss that seems to define the collective psyche right now — not just in America, but everywhere. Take a moment to process the prevailing winds of popular culture. Listen to the lyrics seeking absolute escapism, emotional oblivion and spiritual retribution. Then look at the cankered face of global politics, ...

Anthropocene: The Human Epoch-alypse

Movie review - Anthropocene: The Human Epoch Baichwal, Burtynsky and de Pencier are back with another gorgeously lensed documentary that almost comes too close to redeeming human ugliness through photographic acts of beauty.

Here Comes A Regular: A Photographic Archive of The Railway Club

Ex-Press Salon: The Railway Club Regulars Natasha Moric tended bar at Vancouver's Railway Club for more than 20 years, in the days before selfies and Instagram, but she took her camera to work and captured the regulars -- in their comfort zone without filters By Katherine Monk VANCOUVER, BC — Shakespeare said truth was best found at the bottom of a wine cup, which is why bar life has always attracted the artistic eye. Jan Steen created a tradition with his paintings of rosy-cheeked drunkards in the 1600s, followed centuries later by Van Gogh and the Impressionists. Then photography came along and allowed what French writer Pierre Mac Orlan described as the ability “to capture the fantastic forms of life which require at least a second’s immobility to be perceptible.” In the world of street photography, these glimmering moments of truth come to us a flashes in the darkness: a frozen moment of euphoria on the dancefloor, the desperation of a lurid glance near closing ...